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Evara
Türkiye’den Öğrenci Belgeselleri

Evara

Evara

00:12:47

Cansu Carlak

-

Türkiye

Tanrı'nın armağanı anlamına gelen Evara, iklim değişikliği krizinin ortasında, şehir ve doğa arasındaki çatışmada kendini bulan karakterimizin döngüsel yolculuğunu ele alıyor. İkinci doğa ve sosyal ekoloji felsefesine dayanan Evara, sorgulama, direniş, gözlem ve duygulardan oluşan bir eleştiri niteliğinde ve performans sanatı aracılığıyla yansıtılıyor.

21 Ocak 2026 Çarşamba

14:00

Fransız Kültür Merkezi

Foto Akgün

Türkiye’den Öğrenci Belgeselleri

Foto Akgün

Fidan Çaça

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Ceyar'ı Kim Öldürdü? (Yönetmenin Katılımıyla)

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Ceyar'ı Kim Öldürdü? (Yönetmenin Katılımıyla)

Gül Abus Semerci

This documentary takes a closer look at the passionate fans of the Turkish TV series industry. It explores how fans feel so connected to the stories that they even influence actors’ lives or the script’s flow. Their passion leads to social media campaigns targeting writers and efforts to "save" favorite characters, reflecting their strong sense of belonging. Meanwhile, industry representatives’ comments on fans and the cold realities of their professional world add another striking layer. This contrast of admiration and distance paints a portrait of the series world and its fans.
Alper Fidaner Anısına

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Alper Fidaner Anısına

Ahmet S. Sabuncu

The Stonemason’s Daughter

Uluslararası Kısa Film Yarışması

The Stonemason’s Daughter

Arturo Franco

The film was shot around the place of O Fieiro, a small village of no more than twelve houses and nine inhabitants, among them Rosa. A ninety-year-old woman who dedicates her last years to watching the rain through the window. Her father was a canteiro, a house builder, before the reservoir changed everything. Rosa remembers how her father lifted the stones and the people transported them from one place to another. It is shown as an abstract visual poem where the rain and the stones are the protagonists of the story Rosa tells us.
Tanıştığıma Memnun Oldum

Türkiye’den Belgeseller Seçkisi

Tanıştığıma Memnun Oldum

Jehan Barbur, Güneş Kazdal

World Premiere: Antalya Film Festival Documentary Competition This mid-length documentary follows Deniz (28) and Can (30), two siblings with SMA who are bedridden and live with the support of their mother, Aysel. Highlighting issues such as societal neglect, restricted rights, and equality, the film aims to raise awareness. After losing their home in the Maraş earthquake, the family now resides in a relative’s house in Alaçatı. Through five days of interviews and observations, the documentary sheds light on their lives and perspectives.
Free Fish

Özel Film Gösterimleri

Free Fish

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Free Fish — filmed entirely in Gaza during the ongoing genocide tells the story of two brothers separated by war and displacement, whose daily struggle to fish under blockade becomes an act of survival and resistance. Because in Gaza, even the sea is under siege. Fishing has become an act of defiance — and creation, an essential exercise of freedom.
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Şeker Tadında (Yönetmenin Katılımıyla)

Adem Giliz

Under my Mother's Roof

En İyi Uluslararası Deneysel Belgesel Film

Under my Mother's Roof

Christian Abi Abboud

A film where fiction and reality collide; Richard and Kim decide to cowrite with the filmmaker, pieces of their future lives together. “Under my mother’s roof” is a portrait of a man who is facing his biggest fear; the diagnoses of his love with autism. A journey which will lead him back to his childhood biggest trauma, the loss of his mother.
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Halal Dreams

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Maestro’s hands

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Özel Film Gösterimleri

Bellekvari: KuirFest’in Sözlü Tarihi

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Ankara KuirFest transforms its 14-year history of resistance and solidarity into a queer memory space through its founders, volunteers, and artists. Despite increasing bans, the festival's continued existence as a form of cultural resistance lies at the heart of the documentary. The film makes visible both the personal and collective dimensions of queer existence by declaring, ‘We are here, we remember, we resist.’ Memory-like; a queer memory laboratory, a solidarity manifesto, and a living archive built with hope in defiance of every ban.
Block E, No. 5

Türkiye’den Belgeseller Seçkisi

Block E, No. 5

Çağla Gillis

Çağla moves to Austria for university, facing the loneliness of a temporary dormitory, a liminal space that shapes her emotional journey. Meanwhile, her family in Istanbul struggles with the uncertainty and frustration of living in a rented apartment. Their home, demolished due to aggressive urban policies under the guise of earthquake risk prevention, remains incomplete for years. Through intimate yet online conversations, they share their longing for belonging, the weight of waiting, and the mundane tasks of daily life. In these cold, fractured spaces, time seems to blur, and memories echo as voices.
Biz Radyoyu Çok Sevdik (Yönetmenin Katılımıyla)

Türkiye’den Belgeseller Seçkisi

Biz Radyoyu Çok Sevdik (Yönetmenin Katılımıyla)

Nazan Haydari, Özden Cankaya, Cem Hakverdi

Radio, My Love is an investigative documentary that frames radio broadcasting as an arena of struggle. The film revolves around the experiences of women who entered the profession in the 1970s by taking exams to join TRT, first established as an autonomous broadcasting institution. The documentary is based on the oral history project titled “Women Radio Broadcasters in the History of Turkey. It weaves together archival recordings with contemporary interviews, bringing voices from different eras together to reveal how these broadcasters shaped both the sound of radio and the cultural landscape of Turkey during a pivotal period.
Toprağın Hatırası

Türkiye’den Belgeseller Seçkisi

Toprağın Hatırası

Didem Tütüncü

''Toprağın Hatırası”, İzmir’in kadim geçmişinden günümüze uzanan bir yolculukta, üzüm bağlarının ve Buca’nın kültürel mirasını keşfe çıkıyor.Levanten konaklarından günümüz üreticilerine kadar uzanan bu hikâye, üzümün yalnızca bir meyve değil; zaman, hafıza ve toplumsal belleğin simgesi olduğunu gösteriyor. Belgesel, bağ bozumu ritüellerinden şarap üretim geleneğine, halkın belleğinde saklı kalan anılardan bugünün umutlarına kadar, İzmir’in toprağında kök salmış bir kültürü görünür kılıyor.
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Türkiye’den Belgeseller Seçkisi

Toprağa Dönüş

Kerem Kurtuluş

Tevfik, who moved to New York with his family at the age of 2, relocated to his grandfather's home in Rize, where his father was born, at the age of 35 and started a new life there. Tevfik has been living in Rize for 19 years and is now the father of two children, working in agriculture. He sustains his life by producing tea and kiwi.
Muapbet

Türkiye’den Öğrenci Belgeselleri

Muapbet

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Türkiye’den Öğrenci Belgeselleri

Playing on the Road

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Kuşgözü Grubu Gösterimleri

Kuşgözü

CAHİDE SONKU

Türkiye’den Öğrenci Belgeselleri

CAHİDE SONKU

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Our film aims to introduce the life of Cahide Sonku to students of the Radio, Television, and Cinema department. In this context, it focuses on examining the historical development of Turkish cinema to better understand Cahide Sonku and to inspire future generations through her story. Cahide Sonku’s cinema career is important not only because of her success in the arts but also because it reveals the role of women and gender dynamics in Turkish cinema and the art world in general. Her life and contributions help us develop a deeper understanding of women’s presence in the film industry. As a result, this documentary will add meaningful value to the literature by focusing on Cahide Sonku’s unique contributions to cinema.
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