In Forty Days Road, two colleagues (Ali and Ian) set out on a captivating journey across Egypt to trace the long route of camels traveling from Sudan to a market near Cairo. Along the way, they uncover the tough conditions of transport and join the camels on a 24-hour journey from the Sudanese border to one of the biggest Egyptian camel market near Cairo.

When Adana's iconic Great Clock Tower broke down in 2014, it was brought back to life by the expertise of Murat Yurtbulmuş. Having been involved in clockmaking since childhood and honing his skills in Germany, Yurtbulmuş shares the challenges of clock repair, his personal memories, and the mysteries of clocks in this documentary. This work not only captures a repair process but also reveals the life story of a passionate craftsman.

Evara, which means gift of God, deals with the cycle journey of our character who finds herself in the middle of the climate change crisis in the conflict between city and nature. Based on the philosophy of second nature and social ecology, Evara is a critique consisting of questioning, resistance, observation and feelings and is reflected through performance art.

Dilara is an art student striving to become a successful painter despite the challenges in her life and dreams of studying abroad. Cemal, a film student, wants to document her journey, knowing that their last days together could come at any moment. However, things do not go as planned. They try to overcome the difficulties of pursuing art and creating something meaningful in a small town with the support of their friends. Dilara, hayatındaki zorluklara rağmen başarılı bir ressam olmaya çalışan ve yurt dışında eğitim almak isteyen bir resim öğrencisidir. Sinema öğrencisi Cemal, arkadaşı Dilara'yla geçireceği son günlerin her an gelebileceğini düşünerek onun belgeselini çekmek ister fakat işler planladıkları gibi gitmez. Küçük bir şehirde sanatla uğraşmanın ve bir şeyler üretmenin güçlüğünü arkadaşlarının desteği ile aşmaya çalışırlar.

Ankara KuirFest transforms its 14-year history of resistance and solidarity into a queer memory space through its founders, volunteers, and artists. Despite increasing bans, the festival's continued existence as a form of cultural resistance lies at the heart of the documentary. The film makes visible both the personal and collective dimensions of queer existence by declaring, ‘We are here, we remember, we resist.’ Memory-like; a queer memory laboratory, a solidarity manifesto, and a living archive built with hope in defiance of every ban.

The camera lingers, tracing a quiet alley where people go in and out of frame — glimpsed, reflected, and lost. A game unfolds in this stage, where shifting perspectives turn passersby into unwitting performers. Elsewhere, landscapes are slipping away and rebuilt on a cyclical pattern. A brief syncopation in a daily routine, a fleeting interplay of a place and bodies in motion.

"Free Words" follows Pulitzer-winner Mosab Abu Toha, a detained poet from Gaza whose art becomes a powerful voice of resistance and hope amid oppression.

"NONE" is a black-and-white documentary that explores an inner journey during the Şebi Aruz night. The film captures moments in the backstreets of Konya, where divine love and music intertwine. Focusing on this special night, it highlights how people from diverse cultures express their emotions through music. What seems like a celebration from the outside transforms into a profound spiritual quest and an exploration of the universal language of love. The film reveals the power of music to unite souls, emphasizing the common thread found in each culture's unique sound. "Hiç" offers an emotional experience that invites viewers on a journey not only through visuals but also through deep emotional discovery.

In a remote village in Xinjiang, language lost creates a quiet barrier between generations. Mountains, wrinkles, songs, children’s eyes—a bond beyond words lingers in the air.

Our film aims to introduce the life of Cahide Sonku to students of the Radio, Television, and Cinema department. In this context, it focuses on examining the historical development of Turkish cinema to better understand Cahide Sonku and to inspire future generations through her story. Cahide Sonku’s cinema career is important not only because of her success in the arts but also because it reveals the role of women and gender dynamics in Turkish cinema and the art world in general. Her life and contributions help us develop a deeper understanding of women’s presence in the film industry. As a result, this documentary will add meaningful value to the literature by focusing on Cahide Sonku’s unique contributions to cinema.

"Son Yuva" (The Last Nest) tells the story of Ahmet Karakaya, a shepherd in Anatolia facing the harsh impact of the climate crisis. Torn between leaving his homeland or staying to fight for it, Ahmet must make a difficult choice. His struggle reflects the profound and universal disruptions caused by climate change, as well as the resilience required to face an uncertain future.

"The Memory of the Soil" takes viewers on a journey from İzmir's ancient past to the present, exploring the vineyards and the cultural heritage of Buca. This story, spanning from Levantine mansions to contemporary producers, reveals that grapes are not merely a fruit; they symbolize time, memory, and collective consciousness. From harvest rituals to winemaking traditions, from cherished memories to today's hopes, the documentary makes visible a culture deeply rooted in the soil of İzmir.

A tribute to Mehmet Akgün, a camera repairman in Konya who has been restoring memories for nearly 50 years. Foto Akgün tells the inspiring story of resilience, craftsmanship, and passion—despite physical limitations.

A woman who lost her father follows the historical route that she and her father used to follow. During the journey, she tries to understand her own connection to the city. While she compares her father's Istanbul in his youth and today's city, she ironically conveys the problems such as unplanned urbanization, ecological distortions, and crowd. Throughout the journey she talks to her father, while she uses the city as a metaphor for remembrance and nostalgia in relation with grief and loss.

In the sleepless lights of New York, a father's longing becomes the city's quiet heartbeat.

"Palestine Lentils" is a documentary film that tells the story of a Palestinian chef and his role in using his hobby as a shield against the famine caused by the war on Gaza, preserving the spirit of resilience and hope within his community.

The Altai Mountains, one of the ancient heritages of human history, are not only home to towering peaks and vast steppes, but also the birthplace of a culture, an identity, and a belief system. “Altai” is the documentary that tells the story of the Kazakh Turks, who carry the traces of the past forward and pass them on to future generations.

Le chien qui boit le thé, is a film that explores Beninese Voodoo as it is lived on a daily basis. It's a rare immersion in cults and ceremonies, in traditions shaped by men for men. Populated by magical and supernatural creatures, voodoo enchants photographer Jean-Claude Moschetti, who for over 20 years has been making visible to the uninitiated a parallel world that is superimposed on reality. The face of the Dog who drinks tea, he is the one who opens doors, knows secrets and codes. Neither an ethnologist nor a researcher, he is simply on a quest for magic. In his lens: mermaids smoking by the ocean, the dead dancing, a bird-woman spreading fear... His studio is in the modest ghost convent of Affinon, his friend and Egungun dignitary. It was Egungun who initiated him into the secrets and sacred cults of the ancestors. But this year, their destinies take opposite paths: one rises to the sacred, the other is struck by a curse. Fate or destiny? Voodoo offers those who dare to step forward the chance to negotiate their path. But beware of the unwary: a vengeful pig is on the prowl, stalking evil.