Are you aware that Mexico is the world's number one consumer of bottled water? This film brings awareness to the water crisis in Mexico and the ways to solve it, interweaving visual poetry and the reasons for the problem.

Among the Galician mountains hides Vilar do Courel, a small village that has been resisting to disappear for decades. Its last three inhabitants are the guardians of a timeless space, which transits its past and looks to its future from an empty, immobile and fragile present. With Branca's return from Barcelona, the reality of the place begins to transform. At night, memories, dreams and ancient legends guide the characters through magical forests and forgotten paths.

“Tight Lines” tells the story of a woman whose life is woven with nets, beginning each day with the sea. She does not merely make a living from the sea; she speaks to it, challenges it, and endures alongside it. Fishing is often perceived as a man’s profession, yet in this documentary, the hands guiding the nets belong to a woman. Rastgele goes beyond the act of casting nets into the water, revealing a quiet yet powerful resistance that makes the unseen visible.

A contemporary portrait follows the life of an Alexandrian Framemaker born in the 1930s. Through his personal story, the film explores the profound changes in Egypt over the past 80 years, capturing society's transformation through a dedicated craftsman's eyes.

"Bocuk" traces the remnants of a Balkan-Turkic belief said to date back to the Middle Ages, still alive in a remote village of Thrace. This docudrama explores the contemporary meaning of an ancient winter ritual and documents the local narratives surrounding it. Blending fear with tradition, the film invites viewers to discover the extraordinary Night of Bocuk, a practice still observed across generations in Turkey.

Arab/Palestinian make up 20% of the total Israeli population. They are Christian, Muslim, Bedouin, Druze etc. Not much is known about this minority who hold Israeli nationality. They live, work, go to school in Israel, but do they feel Isreali? What does it mean to be Arab in a jewish state.

This film views the sea not as a landscape, but as a living space. Here, the sea is not a romantic backdrop; it is a life woven with sweat, patience and repetition. We approach Mavişehir Fishermen's Shelter not as a place, but as a memory. This harbour, whose location has changed with the filling of the shores, bears the traces of over a century of labour. Against concrete, time and transformation, we defend the continuity of the relationship established with the sea. This manifesto aims to make the great stories of small boats visible. The labour of fishermen who set sail in boats less than seven metres long is a form of living knowledge that is in danger of being forgotten in the shadow of industrial production. We stand against the loss of this knowledge. Repeating the mending of nets, the threading of needles, the setting out to sea before dawn... Because repetition here is not ordinary; it is resistance. This order, re-established every day, is an expression of the ancient covenant between man and the sea. While telling the story of the fishermen, this film focuses on silence, modesty, and the power of collective production. It sees accepting what the sea provides as a virtue. We take on the responsibility of photography, the camera, and witnessing. We advocate not just looking, but seeing; not just recording, but understanding. A Lifetime at Sea is not an elegy for the past; it is a mark left for the future. As long as this way of life built with the sea continues, cultural memory will also continue to live on. Some lives are not written on land, but in the wake of the waves.

The film was shot around the place of O Fieiro, a small village of no more than twelve houses and nine inhabitants, among them Rosa. A ninety-year-old woman who dedicates her last years to watching the rain through the window. Her father was a canteiro, a house builder, before the reservoir changed everything. Rosa remembers how her father lifted the stones and the people transported them from one place to another. It is shown as an abstract visual poem where the rain and the stones are the protagonists of the story Rosa tells us.

What happens if older people challenge stereotypes in films about aging? Six seniors re-perform scenes of poor health, sexual invisibility, and gendered stereotypes of the wise old man and the bad witch. Toward the end of the film, the participants rebel against these cinematic images, proving that older age can be associated with love, sexuality, and self-revelation.

Through the eyes of the Karşıyaka Sports Club announcer, we witness the club's story, its history and culture, touching on the passion of its supporters, in an unconventional account of Karşıyaka Sports Club's one-season tale.

Dive into the mesmerizing world of architecture through "Mosaic," a captivating film that pays homage to the intricate patterns and designs that defined an empire. Using innovative stop-motion animation, "Mosaic" invites audiences on a visual journey through the majestic beauty of architecture, where every stone tells a story and every tile is a piece of art. As the camera seamlessly glides through elaborate mosques, palaces, and bazaars, viewers are immersed in the rich history and cultural significance of these architectural marvels. "Mosaic" celebrates the timeless beauty and craftsmanship of architecture. Prepare to be transported to a world where history comes to life in every meticulously crafted frame.

Ankara KuirFest transforms its 14-year history of resistance and solidarity into a queer memory space through its founders, volunteers, and artists. Despite increasing bans, the festival's continued existence as a form of cultural resistance lies at the heart of the documentary. The film makes visible both the personal and collective dimensions of queer existence by declaring, ‘We are here, we remember, we resist.’ Memory-like; a queer memory laboratory, a solidarity manifesto, and a living archive built with hope in defiance of every ban.

Angie (34) takes her father Mansour (74) on a roadtrip from Brussels to Beirut by car in an attempt to retrace the same path he took 42 years ago. However, the route is no longer the same, and neither is their relationship.

A tribute to Mehmet Akgün, a camera repairman in Konya who has been restoring memories for nearly 50 years. Foto Akgün tells the inspiring story of resilience, craftsmanship, and passion—despite physical limitations.

When Adana's iconic Great Clock Tower broke down in 2014, it was brought back to life by the expertise of Murat Yurtbulmuş. Having been involved in clockmaking since childhood and honing his skills in Germany, Yurtbulmuş shares the challenges of clock repair, his personal memories, and the mysteries of clocks in this documentary. This work not only captures a repair process but also reveals the life story of a passionate craftsman.

The film follows the internationally renowned British nerve surgeon, Dr Mohammed Tahir as he returns to Gaza for his third medical aid mission. Dr Tahir’s medical team risk their lives to capture footage of his work amidst the carnage of Gaza’s operating rooms. Bound by the impartiality of their oaths, Dr Tahir and his team are the only neutral and reliable witnesses to the genocide. The unique footage they capture is a historic testimony to the grotesque reality of a genocide filmed in real time.

Tevfik, who moved to New York with his family at the age of 2, relocated to his grandfather's home in Rize, where his father was born, at the age of 35 and started a new life there. Tevfik has been living in Rize for 19 years and is now the father of two children, working in agriculture. He sustains his life by producing tea and kiwi.

Yazbek: A Portrait recounts a Sergio's life, leading up to the moment he uncovers a box of his late father’s lost negatives. As he develops the photographs, Sergio reconnects with his father in ways he never expected, discovering new facets about the man and his legacy. Sergio reflects on how his father taught him not only the secrets of photography but also of life itself, shaping his understanding of the world through the lens. This film explores themes of memory, family, and the profound connection between art and life. ... 'Yazbek: A Portrait' narra la vida de Sergio, hasta el momento en que descubre una caja con los negativos perdidos de su difunto padre. Mientras revela las fotografías, Sergio se reconecta con su padre de maneras que nunca imaginó, descubriendo nuevas facetas sobre el hombre y su legado. Sergio reflexiona sobre cómo su padre le enseñó no solo los secretos de la fotografía, sino también de la vida misma, moldeando su comprensión del mundo a través del lente. Esta película explora temas como la memoria, la familia y la profunda conexión entre el arte y la vida.

Over 90 years old, Ellen Vuosalo has lived many lives. First as a Finnish immigrant in Canada, then as an American citizen and student of zoology at UCLA and finally as a Mother of Cranes in Iran. Iiris Härmä's Mother of Snow Cranes tells the story of an incredible woman's extraordinary life, from love to tragedy to revolution. It is a story about nature, humanity, and the role of women in both the West and Iranian culture. Or as Ellen herself says " What a life! What a world!" Reference story: Unlike the world famous story of Betty Mahmoody (NOT WITHOUT MY DAUGHTER, 1991), MOTHER OF SNOW CRANES tells the story of the Western woman who had to stay in Iran and later who decided to stay. Our production company Guerilla Films has produced award-winning documentary films for international broadcasters (YLE, SVT, NHK, ARTE, NETFLIX etc.), cinemas and film festivals for more than 20 years. Mother of Snow Cranes (orig. Kurkien äiti) Duration: 78 mins Director: Iiris Härmä Producer: Visa Koiso-Kanttila/ Guerilla Films Production Country Finland Filming location Iran Release Date: Cinematic release in Finland September 2024.