In Forty Days Road, two colleagues (Ali and Ian) set out on a captivating journey across Egypt to trace the long route of camels traveling from Sudan to a market near Cairo. Along the way, they uncover the tough conditions of transport and join the camels on a 24-hour journey from the Sudanese border to one of the biggest Egyptian camel market near Cairo.

Through the eyes of the Karşıyaka Sports Club announcer, we witness the club's story, its history and culture, touching on the passion of its supporters, in an unconventional account of Karşıyaka Sports Club's one-season tale.

“Tight Lines” tells the story of a woman whose life is woven with nets, beginning each day with the sea. She does not merely make a living from the sea; she speaks to it, challenges it, and endures alongside it. Fishing is often perceived as a man’s profession, yet in this documentary, the hands guiding the nets belong to a woman. Rastgele goes beyond the act of casting nets into the water, revealing a quiet yet powerful resistance that makes the unseen visible.

"Son Yuva" (The Last Nest) tells the story of Ahmet Karakaya, a shepherd in Anatolia facing the harsh impact of the climate crisis. Torn between leaving his homeland or staying to fight for it, Ahmet must make a difficult choice. His struggle reflects the profound and universal disruptions caused by climate change, as well as the resilience required to face an uncertain future.

Our film aims to introduce the life of Cahide Sonku to students of the Radio, Television, and Cinema department. In this context, it focuses on examining the historical development of Turkish cinema to better understand Cahide Sonku and to inspire future generations through her story. Cahide Sonku’s cinema career is important not only because of her success in the arts but also because it reveals the role of women and gender dynamics in Turkish cinema and the art world in general. Her life and contributions help us develop a deeper understanding of women’s presence in the film industry. As a result, this documentary will add meaningful value to the literature by focusing on Cahide Sonku’s unique contributions to cinema.

A new skyscraper stands out against the sky amidst massive mirrored buildings and vertical forests, symbols of Milan’s new skyline. Alone, one man bravely scales the building, defying the concrete and glass bastions of new world finance. His act of civil disobedience at 500 feet in the sky makes people look up for a few hours and reflect on the meaning of the expression “stay human”.

The camera lingers, tracing a quiet alley where people go in and out of frame — glimpsed, reflected, and lost. A game unfolds in this stage, where shifting perspectives turn passersby into unwitting performers. Elsewhere, landscapes are slipping away and rebuilt on a cyclical pattern. A brief syncopation in a daily routine, a fleeting interplay of a place and bodies in motion.

This documentary takes a closer look at the passionate fans of the Turkish TV series industry. It explores how fans feel so connected to the stories that they even influence actors’ lives or the script’s flow. Their passion leads to social media campaigns targeting writers and efforts to "save" favorite characters, reflecting their strong sense of belonging. Meanwhile, industry representatives’ comments on fans and the cold realities of their professional world add another striking layer. This contrast of admiration and distance paints a portrait of the series world and its fans.

Çağla moves to Austria for university, facing the loneliness of a temporary dormitory, a liminal space that shapes her emotional journey. Meanwhile, her family in Istanbul struggles with the uncertainty and frustration of living in a rented apartment. Their home, demolished due to aggressive urban policies under the guise of earthquake risk prevention, remains incomplete for years. Through intimate yet online conversations, they share their longing for belonging, the weight of waiting, and the mundane tasks of daily life. In these cold, fractured spaces, time seems to blur, and memories echo as voices.

Arab/Palestinian make up 20% of the total Israeli population. They are Christian, Muslim, Bedouin, Druze etc. Not much is known about this minority who hold Israeli nationality. They live, work, go to school in Israel, but do they feel Isreali? What does it mean to be Arab in a jewish state.

''Toprağın Hatırası”, İzmir’in kadim geçmişinden günümüze uzanan bir yolculukta, üzüm bağlarının ve Buca’nın kültürel mirasını keşfe çıkıyor.Levanten konaklarından günümüz üreticilerine kadar uzanan bu hikâye, üzümün yalnızca bir meyve değil; zaman, hafıza ve toplumsal belleğin simgesi olduğunu gösteriyor. Belgesel, bağ bozumu ritüellerinden şarap üretim geleneğine, halkın belleğinde saklı kalan anılardan bugünün umutlarına kadar, İzmir’in toprağında kök salmış bir kültürü görünür kılıyor.

Dive into the mesmerizing world of architecture through "Mosaic," a captivating film that pays homage to the intricate patterns and designs that defined an empire. Using innovative stop-motion animation, "Mosaic" invites audiences on a visual journey through the majestic beauty of architecture, where every stone tells a story and every tile is a piece of art. As the camera seamlessly glides through elaborate mosques, palaces, and bazaars, viewers are immersed in the rich history and cultural significance of these architectural marvels. "Mosaic" celebrates the timeless beauty and craftsmanship of architecture. Prepare to be transported to a world where history comes to life in every meticulously crafted frame.

This film views the sea not as a landscape, but as a living space. Here, the sea is not a romantic backdrop; it is a life woven with sweat, patience and repetition. We approach Mavişehir Fishermen's Shelter not as a place, but as a memory. This harbour, whose location has changed with the filling of the shores, bears the traces of over a century of labour. Against concrete, time and transformation, we defend the continuity of the relationship established with the sea. This manifesto aims to make the great stories of small boats visible. The labour of fishermen who set sail in boats less than seven metres long is a form of living knowledge that is in danger of being forgotten in the shadow of industrial production. We stand against the loss of this knowledge. Repeating the mending of nets, the threading of needles, the setting out to sea before dawn... Because repetition here is not ordinary; it is resistance. This order, re-established every day, is an expression of the ancient covenant between man and the sea. While telling the story of the fishermen, this film focuses on silence, modesty, and the power of collective production. It sees accepting what the sea provides as a virtue. We take on the responsibility of photography, the camera, and witnessing. We advocate not just looking, but seeing; not just recording, but understanding. A Lifetime at Sea is not an elegy for the past; it is a mark left for the future. As long as this way of life built with the sea continues, cultural memory will also continue to live on. Some lives are not written on land, but in the wake of the waves.

TRAINS is a found-footage documentary composed entirely of archive footage and sound design that creates a collective portrait of people in 20th century Europe, capturing their hopes, desires, dramas and tragedies. A train compartment is a place where people are taken out of their everyday context for a while. Sometimes the journey is accompanied by the hope that something will change in our lives upon reaching the destination, or conversely, by a stark absence of hope. And yet the history of the 20th century unfolds in railway carriages in a repetitive refrain. Every few years, hauntingly similar scenes play out in railway stations around the world: carriages full of men leaving for war, only to return wounded or as casualties. This cycle is followed by an exodus of civilians, evacuees mingling with prisoners of war returning from camps, and soldiers of victorious armies leading the defeated, until ordinary passengers reappear at stations.

An American, a Japanese, a Canadian, a Frenchman and a Brazilian work as ballet dancers in very different Russian cities. The world around them collapses for reasons beyond their control, and the characters have to make the most difficult choice in their lives. A choice on which not only their career, but also their destiny depends.

Mukunã prepares to become the Shaman of the Potiguara Katu village in Rio Grande do Norte (Brazil), older than us, the power plants become the teacher teaching environmental care.

Are you aware that Mexico is the world's number one consumer of bottled water? This film brings awareness to the water crisis in Mexico and the ways to solve it, interweaving visual poetry and the reasons for the problem.

The film follows the internationally renowned British nerve surgeon, Dr Mohammed Tahir as he returns to Gaza for his third medical aid mission. Dr Tahir’s medical team risk their lives to capture footage of his work amidst the carnage of Gaza’s operating rooms. Bound by the impartiality of their oaths, Dr Tahir and his team are the only neutral and reliable witnesses to the genocide. The unique footage they capture is a historic testimony to the grotesque reality of a genocide filmed in real time.

A contemporary portrait follows the life of an Alexandrian Framemaker born in the 1930s. Through his personal story, the film explores the profound changes in Egypt over the past 80 years, capturing society's transformation through a dedicated craftsman's eyes.