The camera lingers, tracing a quiet alley where people go in and out of frame — glimpsed, reflected, and lost. A game unfolds in this stage, where shifting perspectives turn passersby into unwitting performers. Elsewhere, landscapes are slipping away and rebuilt on a cyclical pattern. A brief syncopation in a daily routine, a fleeting interplay of a place and bodies in motion.

What happens if older people challenge stereotypes in films about aging? Six seniors re-perform scenes of poor health, sexual invisibility, and gendered stereotypes of the wise old man and the bad witch. Toward the end of the film, the participants rebel against these cinematic images, proving that older age can be associated with love, sexuality, and self-revelation.

Radio, My Love is an investigative documentary that frames radio broadcasting as an arena of struggle. The film revolves around the experiences of women who entered the profession in the 1970s by taking exams to join TRT, first established as an autonomous broadcasting institution. The documentary is based on the oral history project titled “Women Radio Broadcasters in the History of Turkey. It weaves together archival recordings with contemporary interviews, bringing voices from different eras together to reveal how these broadcasters shaped both the sound of radio and the cultural landscape of Turkey during a pivotal period.

Çağla moves to Austria for university, facing the loneliness of a temporary dormitory, a liminal space that shapes her emotional journey. Meanwhile, her family in Istanbul struggles with the uncertainty and frustration of living in a rented apartment. Their home, demolished due to aggressive urban policies under the guise of earthquake risk prevention, remains incomplete for years. Through intimate yet online conversations, they share their longing for belonging, the weight of waiting, and the mundane tasks of daily life. In these cold, fractured spaces, time seems to blur, and memories echo as voices.

The film was shot around the place of O Fieiro, a small village of no more than twelve houses and nine inhabitants, among them Rosa. A ninety-year-old woman who dedicates her last years to watching the rain through the window. Her father was a canteiro, a house builder, before the reservoir changed everything. Rosa remembers how her father lifted the stones and the people transported them from one place to another. It is shown as an abstract visual poem where the rain and the stones are the protagonists of the story Rosa tells us.

In a remote village in Xinjiang, language lost creates a quiet barrier between generations. Mountains, wrinkles, songs, children’s eyes—a bond beyond words lingers in the air.

Mukunã prepares to become the Shaman of the Potiguara Katu village in Rio Grande do Norte (Brazil), older than us, the power plants become the teacher teaching environmental care.

The Altai Mountains, one of the ancient heritages of human history, are not only home to towering peaks and vast steppes, but also the birthplace of a culture, an identity, and a belief system. “Altai” is the documentary that tells the story of the Kazakh Turks, who carry the traces of the past forward and pass them on to future generations.

Tevfik, who moved to New York with his family at the age of 2, relocated to his grandfather's home in Rize, where his father was born, at the age of 35 and started a new life there. Tevfik has been living in Rize for 19 years and is now the father of two children, working in agriculture. He sustains his life by producing tea and kiwi.

World Premiere: Antalya Film Festival Documentary Competition This mid-length documentary follows Deniz (28) and Can (30), two siblings with SMA who are bedridden and live with the support of their mother, Aysel. Highlighting issues such as societal neglect, restricted rights, and equality, the film aims to raise awareness. After losing their home in the Maraş earthquake, the family now resides in a relative’s house in Alaçatı. Through five days of interviews and observations, the documentary sheds light on their lives and perspectives.

A contemporary portrait follows the life of an Alexandrian Framemaker born in the 1930s. Through his personal story, the film explores the profound changes in Egypt over the past 80 years, capturing society's transformation through a dedicated craftsman's eyes.

The film follows the internationally renowned British nerve surgeon, Dr Mohammed Tahir as he returns to Gaza for his third medical aid mission. Dr Tahir’s medical team risk their lives to capture footage of his work amidst the carnage of Gaza’s operating rooms. Bound by the impartiality of their oaths, Dr Tahir and his team are the only neutral and reliable witnesses to the genocide. The unique footage they capture is a historic testimony to the grotesque reality of a genocide filmed in real time.

A tribute to Mehmet Akgün, a camera repairman in Konya who has been restoring memories for nearly 50 years. Foto Akgün tells the inspiring story of resilience, craftsmanship, and passion—despite physical limitations.

Over 90 years old, Ellen Vuosalo has lived many lives. First as a Finnish immigrant in Canada, then as an American citizen and student of zoology at UCLA and finally as a Mother of Cranes in Iran. Iiris Härmä's Mother of Snow Cranes tells the story of an incredible woman's extraordinary life, from love to tragedy to revolution. It is a story about nature, humanity, and the role of women in both the West and Iranian culture. Or as Ellen herself says " What a life! What a world!" Reference story: Unlike the world famous story of Betty Mahmoody (NOT WITHOUT MY DAUGHTER, 1991), MOTHER OF SNOW CRANES tells the story of the Western woman who had to stay in Iran and later who decided to stay. Our production company Guerilla Films has produced award-winning documentary films for international broadcasters (YLE, SVT, NHK, ARTE, NETFLIX etc.), cinemas and film festivals for more than 20 years. Mother of Snow Cranes (orig. Kurkien äiti) Duration: 78 mins Director: Iiris Härmä Producer: Visa Koiso-Kanttila/ Guerilla Films Production Country Finland Filming location Iran Release Date: Cinematic release in Finland September 2024.

Dive into the mesmerizing world of architecture through "Mosaic," a captivating film that pays homage to the intricate patterns and designs that defined an empire. Using innovative stop-motion animation, "Mosaic" invites audiences on a visual journey through the majestic beauty of architecture, where every stone tells a story and every tile is a piece of art. As the camera seamlessly glides through elaborate mosques, palaces, and bazaars, viewers are immersed in the rich history and cultural significance of these architectural marvels. "Mosaic" celebrates the timeless beauty and craftsmanship of architecture. Prepare to be transported to a world where history comes to life in every meticulously crafted frame.

“Tight Lines” tells the story of a woman whose life is woven with nets, beginning each day with the sea. She does not merely make a living from the sea; she speaks to it, challenges it, and endures alongside it. Fishing is often perceived as a man’s profession, yet in this documentary, the hands guiding the nets belong to a woman. Rastgele goes beyond the act of casting nets into the water, revealing a quiet yet powerful resistance that makes the unseen visible.

"Free Words" follows Pulitzer-winner Mosab Abu Toha, a detained poet from Gaza whose art becomes a powerful voice of resistance and hope amid oppression.

A film where fiction and reality collide; Richard and Kim decide to cowrite with the filmmaker, pieces of their future lives together. “Under my mother’s roof” is a portrait of a man who is facing his biggest fear; the diagnoses of his love with autism. A journey which will lead him back to his childhood biggest trauma, the loss of his mother.

A woman who lost her father follows the historical route that she and her father used to follow. During the journey, she tries to understand her own connection to the city. While she compares her father's Istanbul in his youth and today's city, she ironically conveys the problems such as unplanned urbanization, ecological distortions, and crowd. Throughout the journey she talks to her father, while she uses the city as a metaphor for remembrance and nostalgia in relation with grief and loss.