Mukunã prepares to become the Shaman of the Potiguara Katu village in Rio Grande do Norte (Brazil), older than us, the power plants become the teacher teaching environmental care.

Arab/Palestinian make up 20% of the total Israeli population. They are Christian, Muslim, Bedouin, Druze etc. Not much is known about this minority who hold Israeli nationality. They live, work, go to school in Israel, but do they feel Isreali? What does it mean to be Arab in a jewish state.

This film views the sea not as a landscape, but as a living space. Here, the sea is not a romantic backdrop; it is a life woven with sweat, patience and repetition. We approach Mavişehir Fishermen's Shelter not as a place, but as a memory. This harbour, whose location has changed with the filling of the shores, bears the traces of over a century of labour. Against concrete, time and transformation, we defend the continuity of the relationship established with the sea. This manifesto aims to make the great stories of small boats visible. The labour of fishermen who set sail in boats less than seven metres long is a form of living knowledge that is in danger of being forgotten in the shadow of industrial production. We stand against the loss of this knowledge. Repeating the mending of nets, the threading of needles, the setting out to sea before dawn... Because repetition here is not ordinary; it is resistance. This order, re-established every day, is an expression of the ancient covenant between man and the sea. While telling the story of the fishermen, this film focuses on silence, modesty, and the power of collective production. It sees accepting what the sea provides as a virtue. We take on the responsibility of photography, the camera, and witnessing. We advocate not just looking, but seeing; not just recording, but understanding. A Lifetime at Sea is not an elegy for the past; it is a mark left for the future. As long as this way of life built with the sea continues, cultural memory will also continue to live on. Some lives are not written on land, but in the wake of the waves.

In Forty Days Road, two colleagues (Ali and Ian) set out on a captivating journey across Egypt to trace the long route of camels traveling from Sudan to a market near Cairo. Along the way, they uncover the tough conditions of transport and join the camels on a 24-hour journey from the Sudanese border to one of the biggest Egyptian camel market near Cairo.

Through the eyes of the Karşıyaka Sports Club announcer, we witness the club's story, its history and culture, touching on the passion of its supporters, in an unconventional account of Karşıyaka Sports Club's one-season tale.

Le chien qui boit le thé, is a film that explores Beninese Voodoo as it is lived on a daily basis. It's a rare immersion in cults and ceremonies, in traditions shaped by men for men. Populated by magical and supernatural creatures, voodoo enchants photographer Jean-Claude Moschetti, who for over 20 years has been making visible to the uninitiated a parallel world that is superimposed on reality. The face of the Dog who drinks tea, he is the one who opens doors, knows secrets and codes. Neither an ethnologist nor a researcher, he is simply on a quest for magic. In his lens: mermaids smoking by the ocean, the dead dancing, a bird-woman spreading fear... His studio is in the modest ghost convent of Affinon, his friend and Egungun dignitary. It was Egungun who initiated him into the secrets and sacred cults of the ancestors. But this year, their destinies take opposite paths: one rises to the sacred, the other is struck by a curse. Fate or destiny? Voodoo offers those who dare to step forward the chance to negotiate their path. But beware of the unwary: a vengeful pig is on the prowl, stalking evil.

Are you aware that Mexico is the world's number one consumer of bottled water? This film brings awareness to the water crisis in Mexico and the ways to solve it, interweaving visual poetry and the reasons for the problem.

Kamikia and Lewaiki, from the Khĩsêdjê people, are forced to abandon their largest village after detecting pesticide contamination that poisons their land, rivers, and food. Surrounded by monocultures of soy, they fight to protect their culture, their families, and their territory, facing an invisible enemy that threatens their very existence.

Based on fragments from a never finished graphic novel, Baghdad Graphic presents an unflinching account of an Iraqi journalist and his desperate effort to survive the invasion of his country. An intensely personal portrait of the costs of war.

A new skyscraper stands out against the sky amidst massive mirrored buildings and vertical forests, symbols of Milan’s new skyline. Alone, one man bravely scales the building, defying the concrete and glass bastions of new world finance. His act of civil disobedience at 500 feet in the sky makes people look up for a few hours and reflect on the meaning of the expression “stay human”.

Yazbek: A Portrait recounts a Sergio's life, leading up to the moment he uncovers a box of his late father’s lost negatives. As he develops the photographs, Sergio reconnects with his father in ways he never expected, discovering new facets about the man and his legacy. Sergio reflects on how his father taught him not only the secrets of photography but also of life itself, shaping his understanding of the world through the lens. This film explores themes of memory, family, and the profound connection between art and life. ... 'Yazbek: A Portrait' narra la vida de Sergio, hasta el momento en que descubre una caja con los negativos perdidos de su difunto padre. Mientras revela las fotografías, Sergio se reconecta con su padre de maneras que nunca imaginó, descubriendo nuevas facetas sobre el hombre y su legado. Sergio reflexiona sobre cómo su padre le enseñó no solo los secretos de la fotografía, sino también de la vida misma, moldeando su comprensión del mundo a través del lente. Esta película explora temas como la memoria, la familia y la profunda conexión entre el arte y la vida.

The documentary focuses on the daily lives of young artists performing in the streets and venues of İzmir. Each artist, with their own unique style and story, meets audiences in public spaces, highlighting the importance of music in their lives. Despite bans, pressures, and hardships, these young musicians strive to sustain their art and lives, seeking support and solidarity. Their stories of resilience and creativity, intertwined with the power of music, not only inspire but also reveal the ways in which they hold on to life and nurture hope.

After the devastating earthquake on February 6, 2023, which affected 11 provinces in Turkey, the Kimyonok family, whose homes were rendered uninhabitable, moved into their cinema business and set up a home in the lobby.

The film was shot around the place of O Fieiro, a small village of no more than twelve houses and nine inhabitants, among them Rosa. A ninety-year-old woman who dedicates her last years to watching the rain through the window. Her father was a canteiro, a house builder, before the reservoir changed everything. Rosa remembers how her father lifted the stones and the people transported them from one place to another. It is shown as an abstract visual poem where the rain and the stones are the protagonists of the story Rosa tells us.

"Songs of Fraternity” is a feature-length project that tells the musical and political journey of the ‘Kardeş Türküler Project, which started within the Boğaziçi University Folklore Club in 1993… in a way a chronicle of“togetherness”, children, women, trees, rivers, a fraternity of cultures and languages that cannot be divided by borders. Not only languages, but history, culture, poetry, writers and artists meet on the stage: Hrant Dink, Neşet Ertaş, Reem Kelani, Sezen Aksu, Arto Tunçboyacıyan, Sayat Nova choir, the list goes on… So this movie brings forward for the first time the 30-year old story of Kardeş Türküler as they navigate and reflect with their music the political and social realities of the recent history of Turkey.

The film follows the internationally renowned British nerve surgeon, Dr Mohammed Tahir as he returns to Gaza for his third medical aid mission. Dr Tahir’s medical team risk their lives to capture footage of his work amidst the carnage of Gaza’s operating rooms. Bound by the impartiality of their oaths, Dr Tahir and his team are the only neutral and reliable witnesses to the genocide. The unique footage they capture is a historic testimony to the grotesque reality of a genocide filmed in real time.

"The Memory of the Soil" takes viewers on a journey from İzmir's ancient past to the present, exploring the vineyards and the cultural heritage of Buca. This story, spanning from Levantine mansions to contemporary producers, reveals that grapes are not merely a fruit; they symbolize time, memory, and collective consciousness. From harvest rituals to winemaking traditions, from cherished memories to today's hopes, the documentary makes visible a culture deeply rooted in the soil of İzmir.

Angie (34) takes her father Mansour (74) on a roadtrip from Brussels to Beirut by car in an attempt to retrace the same path he took 42 years ago. However, the route is no longer the same, and neither is their relationship.

A contemporary portrait follows the life of an Alexandrian Framemaker born in the 1930s. Through his personal story, the film explores the profound changes in Egypt over the past 80 years, capturing society's transformation through a dedicated craftsman's eyes.