When Adana's iconic Great Clock Tower broke down in 2014, it was brought back to life by the expertise of Murat Yurtbulmuş. Having been involved in clockmaking since childhood and honing his skills in Germany, Yurtbulmuş shares the challenges of clock repair, his personal memories, and the mysteries of clocks in this documentary. This work not only captures a repair process but also reveals the life story of a passionate craftsman.

A tribute to Mehmet Akgün, a camera repairman in Konya who has been restoring memories for nearly 50 years. Foto Akgün tells the inspiring story of resilience, craftsmanship, and passion—despite physical limitations.

Dilara is an art student striving to become a successful painter despite the challenges in her life and dreams of studying abroad. Cemal, a film student, wants to document her journey, knowing that their last days together could come at any moment. However, things do not go as planned. They try to overcome the difficulties of pursuing art and creating something meaningful in a small town with the support of their friends. Dilara, hayatındaki zorluklara rağmen başarılı bir ressam olmaya çalışan ve yurt dışında eğitim almak isteyen bir resim öğrencisidir. Sinema öğrencisi Cemal, arkadaşı Dilara'yla geçireceği son günlerin her an gelebileceğini düşünerek onun belgeselini çekmek ister fakat işler planladıkları gibi gitmez. Küçük bir şehirde sanatla uğraşmanın ve bir şeyler üretmenin güçlüğünü arkadaşlarının desteği ile aşmaya çalışırlar.

The film was shot around the place of O Fieiro, a small village of no more than twelve houses and nine inhabitants, among them Rosa. A ninety-year-old woman who dedicates her last years to watching the rain through the window. Her father was a canteiro, a house builder, before the reservoir changed everything. Rosa remembers how her father lifted the stones and the people transported them from one place to another. It is shown as an abstract visual poem where the rain and the stones are the protagonists of the story Rosa tells us.

A woman who lost her father follows the historical route that she and her father used to follow. During the journey, she tries to understand her own connection to the city. While she compares her father's Istanbul in his youth and today's city, she ironically conveys the problems such as unplanned urbanization, ecological distortions, and crowd. Throughout the journey she talks to her father, while she uses the city as a metaphor for remembrance and nostalgia in relation with grief and loss.

Over 90 years old, Ellen Vuosalo has lived many lives. First as a Finnish immigrant in Canada, then as an American citizen and student of zoology at UCLA and finally as a Mother of Cranes in Iran. Iiris Härmä's Mother of Snow Cranes tells the story of an incredible woman's extraordinary life, from love to tragedy to revolution. It is a story about nature, humanity, and the role of women in both the West and Iranian culture. Or as Ellen herself says " What a life! What a world!" Reference story: Unlike the world famous story of Betty Mahmoody (NOT WITHOUT MY DAUGHTER, 1991), MOTHER OF SNOW CRANES tells the story of the Western woman who had to stay in Iran and later who decided to stay. Our production company Guerilla Films has produced award-winning documentary films for international broadcasters (YLE, SVT, NHK, ARTE, NETFLIX etc.), cinemas and film festivals for more than 20 years. Mother of Snow Cranes (orig. Kurkien äiti) Duration: 78 mins Director: Iiris Härmä Producer: Visa Koiso-Kanttila/ Guerilla Films Production Country Finland Filming location Iran Release Date: Cinematic release in Finland September 2024.

"Songs of Fraternity” is a feature-length project that tells the musical and political journey of the ‘Kardeş Türküler Project, which started within the Boğaziçi University Folklore Club in 1993… in a way a chronicle of“togetherness”, children, women, trees, rivers, a fraternity of cultures and languages that cannot be divided by borders. Not only languages, but history, culture, poetry, writers and artists meet on the stage: Hrant Dink, Neşet Ertaş, Reem Kelani, Sezen Aksu, Arto Tunçboyacıyan, Sayat Nova choir, the list goes on… So this movie brings forward for the first time the 30-year old story of Kardeş Türküler as they navigate and reflect with their music the political and social realities of the recent history of Turkey.

Çağla moves to Austria for university, facing the loneliness of a temporary dormitory, a liminal space that shapes her emotional journey. Meanwhile, her family in Istanbul struggles with the uncertainty and frustration of living in a rented apartment. Their home, demolished due to aggressive urban policies under the guise of earthquake risk prevention, remains incomplete for years. Through intimate yet online conversations, they share their longing for belonging, the weight of waiting, and the mundane tasks of daily life. In these cold, fractured spaces, time seems to blur, and memories echo as voices.

This film views the sea not as a landscape, but as a living space. Here, the sea is not a romantic backdrop; it is a life woven with sweat, patience and repetition. We approach Mavişehir Fishermen's Shelter not as a place, but as a memory. This harbour, whose location has changed with the filling of the shores, bears the traces of over a century of labour. Against concrete, time and transformation, we defend the continuity of the relationship established with the sea. This manifesto aims to make the great stories of small boats visible. The labour of fishermen who set sail in boats less than seven metres long is a form of living knowledge that is in danger of being forgotten in the shadow of industrial production. We stand against the loss of this knowledge. Repeating the mending of nets, the threading of needles, the setting out to sea before dawn... Because repetition here is not ordinary; it is resistance. This order, re-established every day, is an expression of the ancient covenant between man and the sea. While telling the story of the fishermen, this film focuses on silence, modesty, and the power of collective production. It sees accepting what the sea provides as a virtue. We take on the responsibility of photography, the camera, and witnessing. We advocate not just looking, but seeing; not just recording, but understanding. A Lifetime at Sea is not an elegy for the past; it is a mark left for the future. As long as this way of life built with the sea continues, cultural memory will also continue to live on. Some lives are not written on land, but in the wake of the waves.

World Premiere: Antalya Film Festival Documentary Competition This mid-length documentary follows Deniz (28) and Can (30), two siblings with SMA who are bedridden and live with the support of their mother, Aysel. Highlighting issues such as societal neglect, restricted rights, and equality, the film aims to raise awareness. After losing their home in the Maraş earthquake, the family now resides in a relative’s house in Alaçatı. Through five days of interviews and observations, the documentary sheds light on their lives and perspectives.

Mukunã prepares to become the Shaman of the Potiguara Katu village in Rio Grande do Norte (Brazil), older than us, the power plants become the teacher teaching environmental care.

"Son Yuva" (The Last Nest) tells the story of Ahmet Karakaya, a shepherd in Anatolia facing the harsh impact of the climate crisis. Torn between leaving his homeland or staying to fight for it, Ahmet must make a difficult choice. His struggle reflects the profound and universal disruptions caused by climate change, as well as the resilience required to face an uncertain future.

Through the eyes of the Karşıyaka Sports Club announcer, we witness the club's story, its history and culture, touching on the passion of its supporters, in an unconventional account of Karşıyaka Sports Club's one-season tale.

In Forty Days Road, two colleagues (Ali and Ian) set out on a captivating journey across Egypt to trace the long route of camels traveling from Sudan to a market near Cairo. Along the way, they uncover the tough conditions of transport and join the camels on a 24-hour journey from the Sudanese border to one of the biggest Egyptian camel market near Cairo.

Our film aims to introduce the life of Cahide Sonku to students of the Radio, Television, and Cinema department. In this context, it focuses on examining the historical development of Turkish cinema to better understand Cahide Sonku and to inspire future generations through her story. Cahide Sonku’s cinema career is important not only because of her success in the arts but also because it reveals the role of women and gender dynamics in Turkish cinema and the art world in general. Her life and contributions help us develop a deeper understanding of women’s presence in the film industry. As a result, this documentary will add meaningful value to the literature by focusing on Cahide Sonku’s unique contributions to cinema.

What happens if older people challenge stereotypes in films about aging? Six seniors re-perform scenes of poor health, sexual invisibility, and gendered stereotypes of the wise old man and the bad witch. Toward the end of the film, the participants rebel against these cinematic images, proving that older age can be associated with love, sexuality, and self-revelation.

After the devastating earthquake on February 6, 2023, which affected 11 provinces in Turkey, the Kimyonok family, whose homes were rendered uninhabitable, moved into their cinema business and set up a home in the lobby.

The film follows the internationally renowned British nerve surgeon, Dr Mohammed Tahir as he returns to Gaza for his third medical aid mission. Dr Tahir’s medical team risk their lives to capture footage of his work amidst the carnage of Gaza’s operating rooms. Bound by the impartiality of their oaths, Dr Tahir and his team are the only neutral and reliable witnesses to the genocide. The unique footage they capture is a historic testimony to the grotesque reality of a genocide filmed in real time.

The Jews who arrived in Ottoman lands 530 years ago brought many cultures with them. Naturally, this included their language. Over time, this language blended with other cultures to form a new, unique language called “Judeo Espagnol”. Although it is in danger of being forgotten, the older generation continues to preserve it in areas where they live together, primarily in Izmir and Istanbul. The documentary is about the Los Pasharos Sefaradis Group, Kula 930, and many other Jewish musicals that have emerged over more than 30 years, the formation of the group of four people, and the concerts they have given.