top of page
Toprağın Hatırası
00:10:00
Didem Tütüncü
-
Türkiye
"The Memory of the Soil" takes viewers on a journey from İzmir's ancient past to the present, exploring the vineyards and the cultural heritage of Buca. This story, spanning from Levantine mansions to contemporary producers, reveals that grapes are not merely a fruit; they symbolize time, memory, and collective consciousness. From harvest rituals to winemaking traditions, from cherished memories to today's hopes, the documentary makes visible a culture deeply rooted in the soil of İzmir.
Thursday, January 22, 2026
11:00
Fransız Kültür Merkezi
International Short Film Competition
Bocuk: An Ancient Ritual
Buğra Mert Alkayalar
"Bocuk" traces the remnants of a Balkan-Turkic belief said to date back to the Middle Ages, still alive in a remote village of Thrace. This docudrama explores the contemporary meaning of an ancient winter ritual and documents the local narratives surrounding it. Blending fear with tradition, the film invites viewers to discover the extraordinary Night of Bocuk, a practice still observed across generations in Turkey.
Student Documentaries from Türkiye
Evara
Cansu Carlak
Evara, which means gift of God, deals with the cycle journey of our character who finds herself in the middle of the climate change
crisis in the conflict between city and nature. Based on the philosophy of second nature and social ecology, Evara is a critique consisting of questioning, resistance, observation and feelings and is reflected through performance art.
Documentaries from Türkiye - Out-of-Competition Selection
The Last Nest
Hasan Hüseyin Alkan
"Son Yuva" (The Last Nest) tells the story of Ahmet Karakaya, a shepherd in Anatolia facing the harsh impact of the climate crisis. Torn between leaving his homeland or staying to fight for it, Ahmet must make a difficult choice. His struggle reflects the profound and universal disruptions caused by climate change, as well as the resilience required to face an uncertain future.
Student Documentaries from Türkiye
Playing on the Road
Eminhan Çakır
The documentary focuses on the daily lives of young artists performing in the streets and venues of İzmir. Each artist, with their own unique style and story, meets audiences in public spaces, highlighting the importance of music in their lives. Despite bans, pressures, and hardships, these young musicians strive to sustain their art and lives, seeking support and solidarity. Their stories of resilience and creativity, intertwined with the power of music, not only inspire but also reveal the ways in which they hold on to life and nurture hope.
.jpeg)
International Feature Film Competition
Le chien qui boit le thé
Jean-Claude Moschetti Moschetti, Arnaud Nouvel
Le chien qui boit le thé, is a film that explores Beninese Voodoo as it is lived on a daily basis. It's a rare immersion in cults and ceremonies, in traditions shaped by men for men.
Populated by magical and supernatural creatures, voodoo enchants photographer Jean-Claude Moschetti, who for over 20 years has been making visible to the uninitiated a parallel world that is superimposed on reality.
The face of the Dog who drinks tea, he is the one who opens doors, knows secrets and codes. Neither an ethnologist nor a researcher, he is simply on a quest for magic. In his lens: mermaids smoking by the ocean, the dead dancing, a bird-woman spreading fear...
His studio is in the modest ghost convent of Affinon, his friend and Egungun dignitary. It was Egungun who initiated him into the secrets and sacred cults of the ancestors. But this year, their destinies take opposite paths: one rises to the sacred, the other is struck by a curse. Fate or destiny? Voodoo offers those who dare to step forward the chance to negotiate their path. But beware of the unwary: a vengeful pig is on the prowl, stalking evil.
Student Documentaries from Türkiye
Since You've Been Gone
Ayşegül Ongun
A woman who lost her father follows the historical route that she and her father used to follow. During the journey, she tries to understand her own connection to the city. While she compares her father's Istanbul in his youth and today's city, she ironically conveys the problems such as unplanned urbanization, ecological distortions, and crowd. Throughout the journey she talks to her father, while she uses the city as a metaphor for remembrance and nostalgia in relation with grief and loss.
Belgesel Fotoğraf Gösterimleri
Mahalleme Dokunma (With the Director in Attendance)
Emine Kart
Let me tell you a bit about the neighbourhood we didn't want to touch. 100th Year, Workers' Blocks Neighbourhood.
Built for workers, squatters have been living there for years. Thousands of buildings have sprung up around it, glass towers, shopping centres, mosque projects offering donation opportunities on credit card instalments, demolitions, constructions, bars and barricades. We didn't want this; we deserved better. The year was 2013... The whole country was united around three or five trees. The wind from those trees enveloped a student and retired neighbourhood in Ankara.
Do you know what we wanted?
We didn't want them to build that road separating the school from the neighbourhood. We didn't want them to cut down the forest that was home to all kinds of trees and animals. We wanted to throw in your faces every day the image of the workers and women your system killed, and those you slaughtered in the name of labour, peace and democracy, erasing them the very next day. We wanted a tree planted, a field we cultivated together, a garden where we could come together and tend to the crops. We wanted a patch of land open to labour and sustenance, with no lock on its gate.
International Short Film Competition
Wind Blows By
Paula Fuentes, Guillermo Carrera
Among the Galician mountains hides Vilar do Courel, a small village that has been resisting to disappear for decades. Its last three inhabitants are the guardians of a timeless space, which transits its past and looks to its future from an empty, immobile and fragile present. With Branca's return from Barcelona, the reality of the place begins to transform. At night, memories, dreams and ancient legends guide the characters through magical forests and forgotten paths.
Documentaries from Türkiye
It Was Nice to Meet You
Jehan Barbur, Güneş Kazdal
World Premiere: Antalya Film Festival Documentary Competition
This mid-length documentary follows Deniz (28) and Can (30), two siblings with SMA who are bedridden and live with the support of their mother, Aysel. Highlighting issues such as societal neglect, restricted rights, and equality, the film aims to raise awareness. After losing their home in the Maraş earthquake, the family now resides in a relative’s house in Alaçatı. Through five days of interviews and observations, the documentary sheds light on their lives and perspectives.
Documentaries from Türkiye
Who Shot Jr.? (With the Director in Attendance)
Gül Abus Semerci
This documentary takes a closer look at the passionate fans of the Turkish TV series industry. It explores how fans feel so connected to the stories that they even influence actors’ lives or the script’s flow. Their passion leads to social media campaigns targeting writers and efforts to "save" favorite characters, reflecting their strong sense of belonging. Meanwhile, industry representatives’ comments on fans and the cold realities of their professional world add another striking layer. This contrast of admiration and distance paints a portrait of the series world and its fans.
International Short Film Competition
Fekry's Thoughts
Essam Hayder
A contemporary portrait follows the life of an Alexandrian Framemaker born in the 1930s. Through his personal story, the film explores the profound changes in Egypt over the past 80 years, capturing society's transformation through a dedicated craftsman's eyes.
Documentaries from Türkiye
Block E, No. 5
Çağla Gillis
Çağla moves to Austria for university, facing the loneliness of a temporary dormitory, a liminal space that shapes her emotional journey. Meanwhile, her family in Istanbul struggles with the uncertainty and frustration of living in a rented apartment. Their home, demolished due to aggressive urban policies under the guise of earthquake risk prevention, remains incomplete for years. Through intimate yet online conversations, they share their longing for belonging, the weight of waiting, and the mundane tasks of daily life. In these cold, fractured spaces, time seems to blur, and memories echo as voices.
En İyi Uluslararası Uzun Metraj Belgesel Film
Mother of Snow Cranes
Iiris Härmä
Over 90 years old, Ellen Vuosalo has lived many lives. First as a Finnish immigrant in Canada, then as an American citizen and student of zoology at UCLA and finally as a Mother of Cranes in Iran. Iiris Härmä's Mother of Snow Cranes tells the story of an incredible woman's extraordinary life, from love to tragedy to revolution. It is a story about nature, humanity, and the role of women in both the West and Iranian culture. Or as Ellen herself says " What a life! What a world!"
Reference story: Unlike the world famous story of Betty Mahmoody (NOT WITHOUT MY DAUGHTER, 1991), MOTHER OF SNOW CRANES tells the story of the Western woman who had to stay in Iran and later who decided to stay.
Our production company Guerilla Films has produced award-winning documentary films for international broadcasters (YLE, SVT, NHK, ARTE, NETFLIX etc.), cinemas and film festivals for more than 20 years.
Mother of Snow Cranes (orig. Kurkien äiti)
Duration: 78 mins
Director: Iiris Härmä
Producer: Visa Koiso-Kanttila/ Guerilla Films
Production Country Finland
Filming location Iran
Release Date: Cinematic release in Finland September 2024.
Special Film Screenings
Thank You Kaf Kaf (With the Director in Attendance)
Ömer Gümüşe
Through the eyes of the Karşıyaka Sports Club announcer, we witness the club's story, its history and culture, touching on the passion of its supporters, in an unconventional account of Karşıyaka Sports Club's one-season tale.
Special Film Screenings
Bellekvari: KuirFest’in Sözlü Tarihi
Asya Leman, Çağla Sumru
Ankara KuirFest transforms its 14-year history of resistance and solidarity into a queer memory space through its founders, volunteers, and artists. Despite increasing bans, the festival's continued existence as a form of cultural resistance lies at the heart of the documentary. The film makes visible both the personal and collective dimensions of queer existence by declaring, ‘We are here, we remember, we resist.’ Memory-like; a queer memory laboratory, a solidarity manifesto, and a living archive built with hope in defiance of every ban.
Student Documentaries from Türkiye
CAHİDE SONKU "Türkiye's First Female Producer and Director"
Nurullah Güzel
Our film aims to introduce the life of Cahide Sonku to students of the Radio, Television, and Cinema department. In this context, it focuses on examining the historical development of Turkish cinema to better understand Cahide Sonku and to inspire future generations through her story. Cahide Sonku’s cinema career is important not only because of her success in the arts but also because it reveals the role of women and gender dynamics in Turkish cinema and the art world in general. Her life and contributions help us develop a deeper understanding of women’s presence in the film industry. As a result, this documentary will add meaningful value to the literature by focusing on Cahide Sonku’s unique contributions to cinema.
bottom of page