TRAINS is a found-footage documentary composed entirely of archive footage and sound design that creates a collective portrait of people in 20th century Europe, capturing their hopes, desires, dramas and tragedies. A train compartment is a place where people are taken out of their everyday context for a while. Sometimes the journey is accompanied by the hope that something will change in our lives upon reaching the destination, or conversely, by a stark absence of hope. And yet the history of the 20th century unfolds in railway carriages in a repetitive refrain. Every few years, hauntingly similar scenes play out in railway stations around the world: carriages full of men leaving for war, only to return wounded or as casualties. This cycle is followed by an exodus of civilians, evacuees mingling with prisoners of war returning from camps, and soldiers of victorious armies leading the defeated, until ordinary passengers reappear at stations.

Yazbek: A Portrait recounts a Sergio's life, leading up to the moment he uncovers a box of his late father’s lost negatives. As he develops the photographs, Sergio reconnects with his father in ways he never expected, discovering new facets about the man and his legacy. Sergio reflects on how his father taught him not only the secrets of photography but also of life itself, shaping his understanding of the world through the lens. This film explores themes of memory, family, and the profound connection between art and life. ... 'Yazbek: A Portrait' narra la vida de Sergio, hasta el momento en que descubre una caja con los negativos perdidos de su difunto padre. Mientras revela las fotografías, Sergio se reconecta con su padre de maneras que nunca imaginó, descubriendo nuevas facetas sobre el hombre y su legado. Sergio reflexiona sobre cómo su padre le enseñó no solo los secretos de la fotografía, sino también de la vida misma, moldeando su comprensión del mundo a través del lente. Esta película explora temas como la memoria, la familia y la profunda conexión entre el arte y la vida.

A film where fiction and reality collide; Richard and Kim decide to cowrite with the filmmaker, pieces of their future lives together. “Under my mother’s roof” is a portrait of a man who is facing his biggest fear; the diagnoses of his love with autism. A journey which will lead him back to his childhood biggest trauma, the loss of his mother.

A tribute to Mehmet Akgün, a camera repairman in Konya who has been restoring memories for nearly 50 years. Foto Akgün tells the inspiring story of resilience, craftsmanship, and passion—despite physical limitations.

Over 90 years old, Ellen Vuosalo has lived many lives. First as a Finnish immigrant in Canada, then as an American citizen and student of zoology at UCLA and finally as a Mother of Cranes in Iran. Iiris Härmä's Mother of Snow Cranes tells the story of an incredible woman's extraordinary life, from love to tragedy to revolution. It is a story about nature, humanity, and the role of women in both the West and Iranian culture. Or as Ellen herself says " What a life! What a world!" Reference story: Unlike the world famous story of Betty Mahmoody (NOT WITHOUT MY DAUGHTER, 1991), MOTHER OF SNOW CRANES tells the story of the Western woman who had to stay in Iran and later who decided to stay. Our production company Guerilla Films has produced award-winning documentary films for international broadcasters (YLE, SVT, NHK, ARTE, NETFLIX etc.), cinemas and film festivals for more than 20 years. Mother of Snow Cranes (orig. Kurkien äiti) Duration: 78 mins Director: Iiris Härmä Producer: Visa Koiso-Kanttila/ Guerilla Films Production Country Finland Filming location Iran Release Date: Cinematic release in Finland September 2024.

"Son Yuva" (The Last Nest) tells the story of Ahmet Karakaya, a shepherd in Anatolia facing the harsh impact of the climate crisis. Torn between leaving his homeland or staying to fight for it, Ahmet must make a difficult choice. His struggle reflects the profound and universal disruptions caused by climate change, as well as the resilience required to face an uncertain future.

A contemporary portrait follows the life of an Alexandrian Framemaker born in the 1930s. Through his personal story, the film explores the profound changes in Egypt over the past 80 years, capturing society's transformation through a dedicated craftsman's eyes.

Tevfik, who moved to New York with his family at the age of 2, relocated to his grandfather's home in Rize, where his father was born, at the age of 35 and started a new life there. Tevfik has been living in Rize for 19 years and is now the father of two children, working in agriculture. He sustains his life by producing tea and kiwi.

Through the eyes of the Karşıyaka Sports Club announcer, we witness the club's story, its history and culture, touching on the passion of its supporters, in an unconventional account of Karşıyaka Sports Club's one-season tale.

''Toprağın Hatırası”, İzmir’in kadim geçmişinden günümüze uzanan bir yolculukta, üzüm bağlarının ve Buca’nın kültürel mirasını keşfe çıkıyor.Levanten konaklarından günümüz üreticilerine kadar uzanan bu hikâye, üzümün yalnızca bir meyve değil; zaman, hafıza ve toplumsal belleğin simgesi olduğunu gösteriyor. Belgesel, bağ bozumu ritüellerinden şarap üretim geleneğine, halkın belleğinde saklı kalan anılardan bugünün umutlarına kadar, İzmir’in toprağında kök salmış bir kültürü görünür kılıyor.

This documentary shows the new popularity of thrifting; the core between sustainability and subculture creates a conflict because of the commodification of aesthetics- the perspectives of different people from different backgrounds.

Dilara is an art student striving to become a successful painter despite the challenges in her life and dreams of studying abroad. Cemal, a film student, wants to document her journey, knowing that their last days together could come at any moment. However, things do not go as planned. They try to overcome the difficulties of pursuing art and creating something meaningful in a small town with the support of their friends. Dilara, hayatındaki zorluklara rağmen başarılı bir ressam olmaya çalışan ve yurt dışında eğitim almak isteyen bir resim öğrencisidir. Sinema öğrencisi Cemal, arkadaşı Dilara'yla geçireceği son günlerin her an gelebileceğini düşünerek onun belgeselini çekmek ister fakat işler planladıkları gibi gitmez. Küçük bir şehirde sanatla uğraşmanın ve bir şeyler üretmenin güçlüğünü arkadaşlarının desteği ile aşmaya çalışırlar.

The camera lingers, tracing a quiet alley where people go in and out of frame — glimpsed, reflected, and lost. A game unfolds in this stage, where shifting perspectives turn passersby into unwitting performers. Elsewhere, landscapes are slipping away and rebuilt on a cyclical pattern. A brief syncopation in a daily routine, a fleeting interplay of a place and bodies in motion.

"Songs of Fraternity” is a feature-length project that tells the musical and political journey of the ‘Kardeş Türküler Project, which started within the Boğaziçi University Folklore Club in 1993… in a way a chronicle of“togetherness”, children, women, trees, rivers, a fraternity of cultures and languages that cannot be divided by borders. Not only languages, but history, culture, poetry, writers and artists meet on the stage: Hrant Dink, Neşet Ertaş, Reem Kelani, Sezen Aksu, Arto Tunçboyacıyan, Sayat Nova choir, the list goes on… So this movie brings forward for the first time the 30-year old story of Kardeş Türküler as they navigate and reflect with their music the political and social realities of the recent history of Turkey.

This film views the sea not as a landscape, but as a living space. Here, the sea is not a romantic backdrop; it is a life woven with sweat, patience and repetition. We approach Mavişehir Fishermen's Shelter not as a place, but as a memory. This harbour, whose location has changed with the filling of the shores, bears the traces of over a century of labour. Against concrete, time and transformation, we defend the continuity of the relationship established with the sea. This manifesto aims to make the great stories of small boats visible. The labour of fishermen who set sail in boats less than seven metres long is a form of living knowledge that is in danger of being forgotten in the shadow of industrial production. We stand against the loss of this knowledge. Repeating the mending of nets, the threading of needles, the setting out to sea before dawn... Because repetition here is not ordinary; it is resistance. This order, re-established every day, is an expression of the ancient covenant between man and the sea. While telling the story of the fishermen, this film focuses on silence, modesty, and the power of collective production. It sees accepting what the sea provides as a virtue. We take on the responsibility of photography, the camera, and witnessing. We advocate not just looking, but seeing; not just recording, but understanding. A Lifetime at Sea is not an elegy for the past; it is a mark left for the future. As long as this way of life built with the sea continues, cultural memory will also continue to live on. Some lives are not written on land, but in the wake of the waves.

Çağla moves to Austria for university, facing the loneliness of a temporary dormitory, a liminal space that shapes her emotional journey. Meanwhile, her family in Istanbul struggles with the uncertainty and frustration of living in a rented apartment. Their home, demolished due to aggressive urban policies under the guise of earthquake risk prevention, remains incomplete for years. Through intimate yet online conversations, they share their longing for belonging, the weight of waiting, and the mundane tasks of daily life. In these cold, fractured spaces, time seems to blur, and memories echo as voices.

Chanting of the Dunes has so far won over 40 awards and 20 nominations! The film takes viewers on a dazzling journey through multiple countries and during momentous world events that extend from the Levant in the 1920s to the U.S. and China in the 1990s. Chanting of the Dunes recounts the life of Wahbi Al-Hariri-Rifai who was an accomplished international artist, architect, archeologist, and author. It is told through the mixed perspective of his wife, Widad Marachi, who married him at the age of 15. The fascinating storyline is full of unexpected turns and is accompanied by a superb award-winning soundtrack. The film is beautifully illustrated through hundreds of meticulously restored black/white and color archival photographs and original footage. According to festival managers, the film exceeds all expectations and represents a new cinematographic genre between narrative feature and documentary. Many have called it “extraordinary, moving, mesmerizing, full of messages...”

Evara, which means gift of God, deals with the cycle journey of our character who finds herself in the middle of the climate change crisis in the conflict between city and nature. Based on the philosophy of second nature and social ecology, Evara is a critique consisting of questioning, resistance, observation and feelings and is reflected through performance art.