Yazbek: A Portrait recounts a Sergio's life, leading up to the moment he uncovers a box of his late father’s lost negatives. As he develops the photographs, Sergio reconnects with his father in ways he never expected, discovering new facets about the man and his legacy. Sergio reflects on how his father taught him not only the secrets of photography but also of life itself, shaping his understanding of the world through the lens. This film explores themes of memory, family, and the profound connection between art and life. ... 'Yazbek: A Portrait' narra la vida de Sergio, hasta el momento en que descubre una caja con los negativos perdidos de su difunto padre. Mientras revela las fotografías, Sergio se reconecta con su padre de maneras que nunca imaginó, descubriendo nuevas facetas sobre el hombre y su legado. Sergio reflexiona sobre cómo su padre le enseñó no solo los secretos de la fotografía, sino también de la vida misma, moldeando su comprensión del mundo a través del lente. Esta película explora temas como la memoria, la familia y la profunda conexión entre el arte y la vida.

Tevfik, who moved to New York with his family at the age of 2, relocated to his grandfather's home in Rize, where his father was born, at the age of 35 and started a new life there. Tevfik has been living in Rize for 19 years and is now the father of two children, working in agriculture. He sustains his life by producing tea and kiwi.

"Son Yuva" (The Last Nest) tells the story of Ahmet Karakaya, a shepherd in Anatolia facing the harsh impact of the climate crisis. Torn between leaving his homeland or staying to fight for it, Ahmet must make a difficult choice. His struggle reflects the profound and universal disruptions caused by climate change, as well as the resilience required to face an uncertain future.

Let me tell you a bit about the neighbourhood we didn't want to touch. 100th Year, Workers' Blocks Neighbourhood. Built for workers, squatters have been living there for years. Thousands of buildings have sprung up around it, glass towers, shopping centres, mosque projects offering donation opportunities on credit card instalments, demolitions, constructions, bars and barricades. We didn't want this; we deserved better. The year was 2013... The whole country was united around three or five trees. The wind from those trees enveloped a student and retired neighbourhood in Ankara. Do you know what we wanted? We didn't want them to build that road separating the school from the neighbourhood. We didn't want them to cut down the forest that was home to all kinds of trees and animals. We wanted to throw in your faces every day the image of the workers and women your system killed, and those you slaughtered in the name of labour, peace and democracy, erasing them the very next day. We wanted a tree planted, a field we cultivated together, a garden where we could come together and tend to the crops. We wanted a patch of land open to labour and sustenance, with no lock on its gate.

Dilara is an art student striving to become a successful painter despite the challenges in her life and dreams of studying abroad. Cemal, a film student, wants to document her journey, knowing that their last days together could come at any moment. However, things do not go as planned. They try to overcome the difficulties of pursuing art and creating something meaningful in a small town with the support of their friends. Dilara, hayatındaki zorluklara rağmen başarılı bir ressam olmaya çalışan ve yurt dışında eğitim almak isteyen bir resim öğrencisidir. Sinema öğrencisi Cemal, arkadaşı Dilara'yla geçireceği son günlerin her an gelebileceğini düşünerek onun belgeselini çekmek ister fakat işler planladıkları gibi gitmez. Küçük bir şehirde sanatla uğraşmanın ve bir şeyler üretmenin güçlüğünü arkadaşlarının desteği ile aşmaya çalışırlar.

Based on fragments from a never finished graphic novel, Baghdad Graphic presents an unflinching account of an Iraqi journalist and his desperate effort to survive the invasion of his country. An intensely personal portrait of the costs of war.

This film views the sea not as a landscape, but as a living space. Here, the sea is not a romantic backdrop; it is a life woven with sweat, patience and repetition. We approach Mavişehir Fishermen's Shelter not as a place, but as a memory. This harbour, whose location has changed with the filling of the shores, bears the traces of over a century of labour. Against concrete, time and transformation, we defend the continuity of the relationship established with the sea. This manifesto aims to make the great stories of small boats visible. The labour of fishermen who set sail in boats less than seven metres long is a form of living knowledge that is in danger of being forgotten in the shadow of industrial production. We stand against the loss of this knowledge. Repeating the mending of nets, the threading of needles, the setting out to sea before dawn... Because repetition here is not ordinary; it is resistance. This order, re-established every day, is an expression of the ancient covenant between man and the sea. While telling the story of the fishermen, this film focuses on silence, modesty, and the power of collective production. It sees accepting what the sea provides as a virtue. We take on the responsibility of photography, the camera, and witnessing. We advocate not just looking, but seeing; not just recording, but understanding. A Lifetime at Sea is not an elegy for the past; it is a mark left for the future. As long as this way of life built with the sea continues, cultural memory will also continue to live on. Some lives are not written on land, but in the wake of the waves.

''Toprağın Hatırası”, İzmir’in kadim geçmişinden günümüze uzanan bir yolculukta, üzüm bağlarının ve Buca’nın kültürel mirasını keşfe çıkıyor.Levanten konaklarından günümüz üreticilerine kadar uzanan bu hikâye, üzümün yalnızca bir meyve değil; zaman, hafıza ve toplumsal belleğin simgesi olduğunu gösteriyor. Belgesel, bağ bozumu ritüellerinden şarap üretim geleneğine, halkın belleğinde saklı kalan anılardan bugünün umutlarına kadar, İzmir’in toprağında kök salmış bir kültürü görünür kılıyor.

The Jews who arrived in Ottoman lands 530 years ago brought many cultures with them. Naturally, this included their language. Over time, this language blended with other cultures to form a new, unique language called “Judeo Espagnol”. Although it is in danger of being forgotten, the older generation continues to preserve it in areas where they live together, primarily in Izmir and Istanbul. The documentary is about the Los Pasharos Sefaradis Group, Kula 930, and many other Jewish musicals that have emerged over more than 30 years, the formation of the group of four people, and the concerts they have given.

This documentary shows the new popularity of thrifting; the core between sustainability and subculture creates a conflict because of the commodification of aesthetics- the perspectives of different people from different backgrounds.

Our film aims to introduce the life of Cahide Sonku to students of the Radio, Television, and Cinema department. In this context, it focuses on examining the historical development of Turkish cinema to better understand Cahide Sonku and to inspire future generations through her story. Cahide Sonku’s cinema career is important not only because of her success in the arts but also because it reveals the role of women and gender dynamics in Turkish cinema and the art world in general. Her life and contributions help us develop a deeper understanding of women’s presence in the film industry. As a result, this documentary will add meaningful value to the literature by focusing on Cahide Sonku’s unique contributions to cinema.

Kamikia and Lewaiki, from the Khĩsêdjê people, are forced to abandon their largest village after detecting pesticide contamination that poisons their land, rivers, and food. Surrounded by monocultures of soy, they fight to protect their culture, their families, and their territory, facing an invisible enemy that threatens their very existence.

In the sleepless lights of New York, a father's longing becomes the city's quiet heartbeat.

A new skyscraper stands out against the sky amidst massive mirrored buildings and vertical forests, symbols of Milan’s new skyline. Alone, one man bravely scales the building, defying the concrete and glass bastions of new world finance. His act of civil disobedience at 500 feet in the sky makes people look up for a few hours and reflect on the meaning of the expression “stay human”.

"Free Words" follows Pulitzer-winner Mosab Abu Toha, a detained poet from Gaza whose art becomes a powerful voice of resistance and hope amid oppression.

"Songs of Fraternity” is a feature-length project that tells the musical and political journey of the ‘Kardeş Türküler Project, which started within the Boğaziçi University Folklore Club in 1993… in a way a chronicle of“togetherness”, children, women, trees, rivers, a fraternity of cultures and languages that cannot be divided by borders. Not only languages, but history, culture, poetry, writers and artists meet on the stage: Hrant Dink, Neşet Ertaş, Reem Kelani, Sezen Aksu, Arto Tunçboyacıyan, Sayat Nova choir, the list goes on… So this movie brings forward for the first time the 30-year old story of Kardeş Türküler as they navigate and reflect with their music the political and social realities of the recent history of Turkey.

Chanting of the Dunes has so far won over 40 awards and 20 nominations! The film takes viewers on a dazzling journey through multiple countries and during momentous world events that extend from the Levant in the 1920s to the U.S. and China in the 1990s. Chanting of the Dunes recounts the life of Wahbi Al-Hariri-Rifai who was an accomplished international artist, architect, archeologist, and author. It is told through the mixed perspective of his wife, Widad Marachi, who married him at the age of 15. The fascinating storyline is full of unexpected turns and is accompanied by a superb award-winning soundtrack. The film is beautifully illustrated through hundreds of meticulously restored black/white and color archival photographs and original footage. According to festival managers, the film exceeds all expectations and represents a new cinematographic genre between narrative feature and documentary. Many have called it “extraordinary, moving, mesmerizing, full of messages...”

After the devastating earthquake on February 6, 2023, which affected 11 provinces in Turkey, the Kimyonok family, whose homes were rendered uninhabitable, moved into their cinema business and set up a home in the lobby.

The camera lingers, tracing a quiet alley where people go in and out of frame — glimpsed, reflected, and lost. A game unfolds in this stage, where shifting perspectives turn passersby into unwitting performers. Elsewhere, landscapes are slipping away and rebuilt on a cyclical pattern. A brief syncopation in a daily routine, a fleeting interplay of a place and bodies in motion.