The documentary focuses on the daily lives of young artists performing in the streets and venues of İzmir. Each artist, with their own unique style and story, meets audiences in public spaces, highlighting the importance of music in their lives. Despite bans, pressures, and hardships, these young musicians strive to sustain their art and lives, seeking support and solidarity. Their stories of resilience and creativity, intertwined with the power of music, not only inspire but also reveal the ways in which they hold on to life and nurture hope.

Dive into the mesmerizing world of architecture through "Mosaic," a captivating film that pays homage to the intricate patterns and designs that defined an empire. Using innovative stop-motion animation, "Mosaic" invites audiences on a visual journey through the majestic beauty of architecture, where every stone tells a story and every tile is a piece of art. As the camera seamlessly glides through elaborate mosques, palaces, and bazaars, viewers are immersed in the rich history and cultural significance of these architectural marvels. "Mosaic" celebrates the timeless beauty and craftsmanship of architecture. Prepare to be transported to a world where history comes to life in every meticulously crafted frame.

A new skyscraper stands out against the sky amidst massive mirrored buildings and vertical forests, symbols of Milan’s new skyline. Alone, one man bravely scales the building, defying the concrete and glass bastions of new world finance. His act of civil disobedience at 500 feet in the sky makes people look up for a few hours and reflect on the meaning of the expression “stay human”.

TRAINS is a found-footage documentary composed entirely of archive footage and sound design that creates a collective portrait of people in 20th century Europe, capturing their hopes, desires, dramas and tragedies. A train compartment is a place where people are taken out of their everyday context for a while. Sometimes the journey is accompanied by the hope that something will change in our lives upon reaching the destination, or conversely, by a stark absence of hope. And yet the history of the 20th century unfolds in railway carriages in a repetitive refrain. Every few years, hauntingly similar scenes play out in railway stations around the world: carriages full of men leaving for war, only to return wounded or as casualties. This cycle is followed by an exodus of civilians, evacuees mingling with prisoners of war returning from camps, and soldiers of victorious armies leading the defeated, until ordinary passengers reappear at stations.

During World War II, artist and photo montage master Alexander Zhytomyrsky uses his art to convince the enemy to end the bloodshed. Propaganda leaflets — passports to surrender — are dropped from planes in millions, aimed at soldiers on the front lines. Unlike bombs, they do not take lives, they are meant to save them. The creator of these leaflets works hard every day to see the humanity in his enemy amidst the hatred. Will he be able to preserve his talent and himself in this struggle?

He has amazing hands. With the most delicate gestures he directs a symphony orchestra. He worked with great people: Maya Plisetskaya, Rodion Shchedrin, Mstislav Rostropovich. He conducted at the Bolshoi Theater, the Bavarian Ballet, the Royal Swedish Opera. One of the best conductors in the world, Renat Salavatov shares the secrets of his mastery.

In Forty Days Road, two colleagues (Ali and Ian) set out on a captivating journey across Egypt to trace the long route of camels traveling from Sudan to a market near Cairo. Along the way, they uncover the tough conditions of transport and join the camels on a 24-hour journey from the Sudanese border to one of the biggest Egyptian camel market near Cairo.

Let me tell you a bit about the neighbourhood we didn't want to touch. 100th Year, Workers' Blocks Neighbourhood. Built for workers, squatters have been living there for years. Thousands of buildings have sprung up around it, glass towers, shopping centres, mosque projects offering donation opportunities on credit card instalments, demolitions, constructions, bars and barricades. We didn't want this; we deserved better. The year was 2013... The whole country was united around three or five trees. The wind from those trees enveloped a student and retired neighbourhood in Ankara. Do you know what we wanted? We didn't want them to build that road separating the school from the neighbourhood. We didn't want them to cut down the forest that was home to all kinds of trees and animals. We wanted to throw in your faces every day the image of the workers and women your system killed, and those you slaughtered in the name of labour, peace and democracy, erasing them the very next day. We wanted a tree planted, a field we cultivated together, a garden where we could come together and tend to the crops. We wanted a patch of land open to labour and sustenance, with no lock on its gate.

Ankara KuirFest transforms its 14-year history of resistance and solidarity into a queer memory space through its founders, volunteers, and artists. Despite increasing bans, the festival's continued existence as a form of cultural resistance lies at the heart of the documentary. The film makes visible both the personal and collective dimensions of queer existence by declaring, ‘We are here, we remember, we resist.’ Memory-like; a queer memory laboratory, a solidarity manifesto, and a living archive built with hope in defiance of every ban.

World Premiere: Antalya Film Festival Documentary Competition This mid-length documentary follows Deniz (28) and Can (30), two siblings with SMA who are bedridden and live with the support of their mother, Aysel. Highlighting issues such as societal neglect, restricted rights, and equality, the film aims to raise awareness. After losing their home in the Maraş earthquake, the family now resides in a relative’s house in Alaçatı. Through five days of interviews and observations, the documentary sheds light on their lives and perspectives.

Le chien qui boit le thé, is a film that explores Beninese Voodoo as it is lived on a daily basis. It's a rare immersion in cults and ceremonies, in traditions shaped by men for men. Populated by magical and supernatural creatures, voodoo enchants photographer Jean-Claude Moschetti, who for over 20 years has been making visible to the uninitiated a parallel world that is superimposed on reality. The face of the Dog who drinks tea, he is the one who opens doors, knows secrets and codes. Neither an ethnologist nor a researcher, he is simply on a quest for magic. In his lens: mermaids smoking by the ocean, the dead dancing, a bird-woman spreading fear... His studio is in the modest ghost convent of Affinon, his friend and Egungun dignitary. It was Egungun who initiated him into the secrets and sacred cults of the ancestors. But this year, their destinies take opposite paths: one rises to the sacred, the other is struck by a curse. Fate or destiny? Voodoo offers those who dare to step forward the chance to negotiate their path. But beware of the unwary: a vengeful pig is on the prowl, stalking evil.

In the sleepless lights of New York, a father's longing becomes the city's quiet heartbeat.

An American, a Japanese, a Canadian, a Frenchman and a Brazilian work as ballet dancers in very different Russian cities. The world around them collapses for reasons beyond their control, and the characters have to make the most difficult choice in their lives. A choice on which not only their career, but also their destiny depends.

Tevfik, who moved to New York with his family at the age of 2, relocated to his grandfather's home in Rize, where his father was born, at the age of 35 and started a new life there. Tevfik has been living in Rize for 19 years and is now the father of two children, working in agriculture. He sustains his life by producing tea and kiwi.

Dilara is an art student striving to become a successful painter despite the challenges in her life and dreams of studying abroad. Cemal, a film student, wants to document her journey, knowing that their last days together could come at any moment. However, things do not go as planned. They try to overcome the difficulties of pursuing art and creating something meaningful in a small town with the support of their friends. Dilara, hayatındaki zorluklara rağmen başarılı bir ressam olmaya çalışan ve yurt dışında eğitim almak isteyen bir resim öğrencisidir. Sinema öğrencisi Cemal, arkadaşı Dilara'yla geçireceği son günlerin her an gelebileceğini düşünerek onun belgeselini çekmek ister fakat işler planladıkları gibi gitmez. Küçük bir şehirde sanatla uğraşmanın ve bir şeyler üretmenin güçlüğünü arkadaşlarının desteği ile aşmaya çalışırlar.

This film views the sea not as a landscape, but as a living space. Here, the sea is not a romantic backdrop; it is a life woven with sweat, patience and repetition. We approach Mavişehir Fishermen's Shelter not as a place, but as a memory. This harbour, whose location has changed with the filling of the shores, bears the traces of over a century of labour. Against concrete, time and transformation, we defend the continuity of the relationship established with the sea. This manifesto aims to make the great stories of small boats visible. The labour of fishermen who set sail in boats less than seven metres long is a form of living knowledge that is in danger of being forgotten in the shadow of industrial production. We stand against the loss of this knowledge. Repeating the mending of nets, the threading of needles, the setting out to sea before dawn... Because repetition here is not ordinary; it is resistance. This order, re-established every day, is an expression of the ancient covenant between man and the sea. While telling the story of the fishermen, this film focuses on silence, modesty, and the power of collective production. It sees accepting what the sea provides as a virtue. We take on the responsibility of photography, the camera, and witnessing. We advocate not just looking, but seeing; not just recording, but understanding. A Lifetime at Sea is not an elegy for the past; it is a mark left for the future. As long as this way of life built with the sea continues, cultural memory will also continue to live on. Some lives are not written on land, but in the wake of the waves.

Over 90 years old, Ellen Vuosalo has lived many lives. First as a Finnish immigrant in Canada, then as an American citizen and student of zoology at UCLA and finally as a Mother of Cranes in Iran. Iiris Härmä's Mother of Snow Cranes tells the story of an incredible woman's extraordinary life, from love to tragedy to revolution. It is a story about nature, humanity, and the role of women in both the West and Iranian culture. Or as Ellen herself says " What a life! What a world!" Reference story: Unlike the world famous story of Betty Mahmoody (NOT WITHOUT MY DAUGHTER, 1991), MOTHER OF SNOW CRANES tells the story of the Western woman who had to stay in Iran and later who decided to stay. Our production company Guerilla Films has produced award-winning documentary films for international broadcasters (YLE, SVT, NHK, ARTE, NETFLIX etc.), cinemas and film festivals for more than 20 years. Mother of Snow Cranes (orig. Kurkien äiti) Duration: 78 mins Director: Iiris Härmä Producer: Visa Koiso-Kanttila/ Guerilla Films Production Country Finland Filming location Iran Release Date: Cinematic release in Finland September 2024.

A film where fiction and reality collide; Richard and Kim decide to cowrite with the filmmaker, pieces of their future lives together. “Under my mother’s roof” is a portrait of a man who is facing his biggest fear; the diagnoses of his love with autism. A journey which will lead him back to his childhood biggest trauma, the loss of his mother.