The documentary focuses on the daily lives of young artists performing in the streets and venues of İzmir. Each artist, with their own unique style and story, meets audiences in public spaces, highlighting the importance of music in their lives. Despite bans, pressures, and hardships, these young musicians strive to sustain their art and lives, seeking support and solidarity. Their stories of resilience and creativity, intertwined with the power of music, not only inspire but also reveal the ways in which they hold on to life and nurture hope.

I am a documentary filmmaker living with bipolar disorder. I have turned the camera toward myself and begun documenting the process of making my first feature film. Throughout this journey, bipolar disorder and the shifting conditions of my country have been my greatest challenges, while inner reflection and artistic creation have been my strongest sources of support. In this sense, the documentary offers a sincere companionship both to those on the path of self-discovery and to individuals going through similar experiences.

Ankara KuirFest transforms its 14-year history of resistance and solidarity into a queer memory space through its founders, volunteers, and artists. Despite increasing bans, the festival's continued existence as a form of cultural resistance lies at the heart of the documentary. The film makes visible both the personal and collective dimensions of queer existence by declaring, ‘We are here, we remember, we resist.’ Memory-like; a queer memory laboratory, a solidarity manifesto, and a living archive built with hope in defiance of every ban.

A new skyscraper stands out against the sky amidst massive mirrored buildings and vertical forests, symbols of Milan’s new skyline. Alone, one man bravely scales the building, defying the concrete and glass bastions of new world finance. His act of civil disobedience at 500 feet in the sky makes people look up for a few hours and reflect on the meaning of the expression “stay human”.

Our film aims to introduce the life of Cahide Sonku to students of the Radio, Television, and Cinema department. In this context, it focuses on examining the historical development of Turkish cinema to better understand Cahide Sonku and to inspire future generations through her story. Cahide Sonku’s cinema career is important not only because of her success in the arts but also because it reveals the role of women and gender dynamics in Turkish cinema and the art world in general. Her life and contributions help us develop a deeper understanding of women’s presence in the film industry. As a result, this documentary will add meaningful value to the literature by focusing on Cahide Sonku’s unique contributions to cinema.

Le chien qui boit le thé, is a film that explores Beninese Voodoo as it is lived on a daily basis. It's a rare immersion in cults and ceremonies, in traditions shaped by men for men. Populated by magical and supernatural creatures, voodoo enchants photographer Jean-Claude Moschetti, who for over 20 years has been making visible to the uninitiated a parallel world that is superimposed on reality. The face of the Dog who drinks tea, he is the one who opens doors, knows secrets and codes. Neither an ethnologist nor a researcher, he is simply on a quest for magic. In his lens: mermaids smoking by the ocean, the dead dancing, a bird-woman spreading fear... His studio is in the modest ghost convent of Affinon, his friend and Egungun dignitary. It was Egungun who initiated him into the secrets and sacred cults of the ancestors. But this year, their destinies take opposite paths: one rises to the sacred, the other is struck by a curse. Fate or destiny? Voodoo offers those who dare to step forward the chance to negotiate their path. But beware of the unwary: a vengeful pig is on the prowl, stalking evil.

“Tight Lines” tells the story of a woman whose life is woven with nets, beginning each day with the sea. She does not merely make a living from the sea; she speaks to it, challenges it, and endures alongside it. Fishing is often perceived as a man’s profession, yet in this documentary, the hands guiding the nets belong to a woman. Rastgele goes beyond the act of casting nets into the water, revealing a quiet yet powerful resistance that makes the unseen visible.

In a remote village in Xinjiang, language lost creates a quiet barrier between generations. Mountains, wrinkles, songs, children’s eyes—a bond beyond words lingers in the air.

Tevfik, who moved to New York with his family at the age of 2, relocated to his grandfather's home in Rize, where his father was born, at the age of 35 and started a new life there. Tevfik has been living in Rize for 19 years and is now the father of two children, working in agriculture. He sustains his life by producing tea and kiwi.

''Toprağın Hatırası”, İzmir’in kadim geçmişinden günümüze uzanan bir yolculukta, üzüm bağlarının ve Buca’nın kültürel mirasını keşfe çıkıyor.Levanten konaklarından günümüz üreticilerine kadar uzanan bu hikâye, üzümün yalnızca bir meyve değil; zaman, hafıza ve toplumsal belleğin simgesi olduğunu gösteriyor. Belgesel, bağ bozumu ritüellerinden şarap üretim geleneğine, halkın belleğinde saklı kalan anılardan bugünün umutlarına kadar, İzmir’in toprağında kök salmış bir kültürü görünür kılıyor.

Chanting of the Dunes has so far won over 40 awards and 20 nominations! The film takes viewers on a dazzling journey through multiple countries and during momentous world events that extend from the Levant in the 1920s to the U.S. and China in the 1990s. Chanting of the Dunes recounts the life of Wahbi Al-Hariri-Rifai who was an accomplished international artist, architect, archeologist, and author. It is told through the mixed perspective of his wife, Widad Marachi, who married him at the age of 15. The fascinating storyline is full of unexpected turns and is accompanied by a superb award-winning soundtrack. The film is beautifully illustrated through hundreds of meticulously restored black/white and color archival photographs and original footage. According to festival managers, the film exceeds all expectations and represents a new cinematographic genre between narrative feature and documentary. Many have called it “extraordinary, moving, mesmerizing, full of messages...”

A contemporary portrait follows the life of an Alexandrian Framemaker born in the 1930s. Through his personal story, the film explores the profound changes in Egypt over the past 80 years, capturing society's transformation through a dedicated craftsman's eyes.

Based on fragments from a never finished graphic novel, Baghdad Graphic presents an unflinching account of an Iraqi journalist and his desperate effort to survive the invasion of his country. An intensely personal portrait of the costs of war.

In Forty Days Road, two colleagues (Ali and Ian) set out on a captivating journey across Egypt to trace the long route of camels traveling from Sudan to a market near Cairo. Along the way, they uncover the tough conditions of transport and join the camels on a 24-hour journey from the Sudanese border to one of the biggest Egyptian camel market near Cairo.

TRAINS is a found-footage documentary composed entirely of archive footage and sound design that creates a collective portrait of people in 20th century Europe, capturing their hopes, desires, dramas and tragedies. A train compartment is a place where people are taken out of their everyday context for a while. Sometimes the journey is accompanied by the hope that something will change in our lives upon reaching the destination, or conversely, by a stark absence of hope. And yet the history of the 20th century unfolds in railway carriages in a repetitive refrain. Every few years, hauntingly similar scenes play out in railway stations around the world: carriages full of men leaving for war, only to return wounded or as casualties. This cycle is followed by an exodus of civilians, evacuees mingling with prisoners of war returning from camps, and soldiers of victorious armies leading the defeated, until ordinary passengers reappear at stations.

A Legend of Foça: Nihat Dirim A Legend of Foça: Nihat Dirim is a 60-minute documentary that chronicles the life and legacy of Nihat Dirim, the legendary mayor of Foça, a district renowned for its historical and natural beauty on Turkey's Aegean coast. Serving two terms as mayor from 1989 to 1999, Dirim shaped Foça's identity through his commitment to environmental protection, cultural heritage preservation, and a people-centered governance approach. Despite today's generally adverse climate, his influence continues to be a defining force in the town. The documentary delves into Dirim's profound passion, love, and dedication to Foça, illustrating how this emotional bond contributed to the town's development. His visionary leadership is exemplified by initiatives such as building bridges of friendship with Greece's Lesbos Island and Palea Fokea, leading environmental campaigns against a proposed thermal power plant in Aliağa, and launching projects to protect the endangered Mediterranean monk seals. Beginning with Dirim's childhood, the film explores his journey through his mayoral tenure to his enduring impact on Foça today. This narrative is conveyed through interviews with nearly 40 individuals conducted over a year, led by his close friend Hakan Barçın. These interviews provide deep insights into Dirim's genuine relationships with the public, his leadership style, and his unwavering devotion to Foça.

What happens if older people challenge stereotypes in films about aging? Six seniors re-perform scenes of poor health, sexual invisibility, and gendered stereotypes of the wise old man and the bad witch. Toward the end of the film, the participants rebel against these cinematic images, proving that older age can be associated with love, sexuality, and self-revelation.

An American, a Japanese, a Canadian, a Frenchman and a Brazilian work as ballet dancers in very different Russian cities. The world around them collapses for reasons beyond their control, and the characters have to make the most difficult choice in their lives. A choice on which not only their career, but also their destiny depends.