Tevfik, who moved to New York with his family at the age of 2, relocated to his grandfather's home in Rize, where his father was born, at the age of 35 and started a new life there. Tevfik has been living in Rize for 19 years and is now the father of two children, working in agriculture. He sustains his life by producing tea and kiwi.

A new skyscraper stands out against the sky amidst massive mirrored buildings and vertical forests, symbols of Milan’s new skyline. Alone, one man bravely scales the building, defying the concrete and glass bastions of new world finance. His act of civil disobedience at 500 feet in the sky makes people look up for a few hours and reflect on the meaning of the expression “stay human”.

During World War II, artist and photo montage master Alexander Zhytomyrsky uses his art to convince the enemy to end the bloodshed. Propaganda leaflets — passports to surrender — are dropped from planes in millions, aimed at soldiers on the front lines. Unlike bombs, they do not take lives, they are meant to save them. The creator of these leaflets works hard every day to see the humanity in his enemy amidst the hatred. Will he be able to preserve his talent and himself in this struggle?

A contemporary portrait follows the life of an Alexandrian Framemaker born in the 1930s. Through his personal story, the film explores the profound changes in Egypt over the past 80 years, capturing society's transformation through a dedicated craftsman's eyes.

Ankara KuirFest transforms its 14-year history of resistance and solidarity into a queer memory space through its founders, volunteers, and artists. Despite increasing bans, the festival's continued existence as a form of cultural resistance lies at the heart of the documentary. The film makes visible both the personal and collective dimensions of queer existence by declaring, ‘We are here, we remember, we resist.’ Memory-like; a queer memory laboratory, a solidarity manifesto, and a living archive built with hope in defiance of every ban.

The film was shot around the place of O Fieiro, a small village of no more than twelve houses and nine inhabitants, among them Rosa. A ninety-year-old woman who dedicates her last years to watching the rain through the window. Her father was a canteiro, a house builder, before the reservoir changed everything. Rosa remembers how her father lifted the stones and the people transported them from one place to another. It is shown as an abstract visual poem where the rain and the stones are the protagonists of the story Rosa tells us.

A woman who lost her father follows the historical route that she and her father used to follow. During the journey, she tries to understand her own connection to the city. While she compares her father's Istanbul in his youth and today's city, she ironically conveys the problems such as unplanned urbanization, ecological distortions, and crowd. Throughout the journey she talks to her father, while she uses the city as a metaphor for remembrance and nostalgia in relation with grief and loss.

“Tight Lines” tells the story of a woman whose life is woven with nets, beginning each day with the sea. She does not merely make a living from the sea; she speaks to it, challenges it, and endures alongside it. Fishing is often perceived as a man’s profession, yet in this documentary, the hands guiding the nets belong to a woman. Rastgele goes beyond the act of casting nets into the water, revealing a quiet yet powerful resistance that makes the unseen visible.

I am a documentary filmmaker living with bipolar disorder. I have turned the camera toward myself and begun documenting the process of making my first feature film. Throughout this journey, bipolar disorder and the shifting conditions of my country have been my greatest challenges, while inner reflection and artistic creation have been my strongest sources of support. In this sense, the documentary offers a sincere companionship both to those on the path of self-discovery and to individuals going through similar experiences.

Let me tell you a bit about the neighbourhood we didn't want to touch. 100th Year, Workers' Blocks Neighbourhood. Built for workers, squatters have been living there for years. Thousands of buildings have sprung up around it, glass towers, shopping centres, mosque projects offering donation opportunities on credit card instalments, demolitions, constructions, bars and barricades. We didn't want this; we deserved better. The year was 2013... The whole country was united around three or five trees. The wind from those trees enveloped a student and retired neighbourhood in Ankara. Do you know what we wanted? We didn't want them to build that road separating the school from the neighbourhood. We didn't want them to cut down the forest that was home to all kinds of trees and animals. We wanted to throw in your faces every day the image of the workers and women your system killed, and those you slaughtered in the name of labour, peace and democracy, erasing them the very next day. We wanted a tree planted, a field we cultivated together, a garden where we could come together and tend to the crops. We wanted a patch of land open to labour and sustenance, with no lock on its gate.

"Free Words" follows Pulitzer-winner Mosab Abu Toha, a detained poet from Gaza whose art becomes a powerful voice of resistance and hope amid oppression.

The camera lingers, tracing a quiet alley where people go in and out of frame — glimpsed, reflected, and lost. A game unfolds in this stage, where shifting perspectives turn passersby into unwitting performers. Elsewhere, landscapes are slipping away and rebuilt on a cyclical pattern. A brief syncopation in a daily routine, a fleeting interplay of a place and bodies in motion.

"Son Yuva" (The Last Nest) tells the story of Ahmet Karakaya, a shepherd in Anatolia facing the harsh impact of the climate crisis. Torn between leaving his homeland or staying to fight for it, Ahmet must make a difficult choice. His struggle reflects the profound and universal disruptions caused by climate change, as well as the resilience required to face an uncertain future.

Angie (34) takes her father Mansour (74) on a roadtrip from Brussels to Beirut by car in an attempt to retrace the same path he took 42 years ago. However, the route is no longer the same, and neither is their relationship.

In the sleepless lights of New York, a father's longing becomes the city's quiet heartbeat.

Çağla moves to Austria for university, facing the loneliness of a temporary dormitory, a liminal space that shapes her emotional journey. Meanwhile, her family in Istanbul struggles with the uncertainty and frustration of living in a rented apartment. Their home, demolished due to aggressive urban policies under the guise of earthquake risk prevention, remains incomplete for years. Through intimate yet online conversations, they share their longing for belonging, the weight of waiting, and the mundane tasks of daily life. In these cold, fractured spaces, time seems to blur, and memories echo as voices.

"Songs of Fraternity” is a feature-length project that tells the musical and political journey of the ‘Kardeş Türküler Project, which started within the Boğaziçi University Folklore Club in 1993… in a way a chronicle of“togetherness”, children, women, trees, rivers, a fraternity of cultures and languages that cannot be divided by borders. Not only languages, but history, culture, poetry, writers and artists meet on the stage: Hrant Dink, Neşet Ertaş, Reem Kelani, Sezen Aksu, Arto Tunçboyacıyan, Sayat Nova choir, the list goes on… So this movie brings forward for the first time the 30-year old story of Kardeş Türküler as they navigate and reflect with their music the political and social realities of the recent history of Turkey.

Le chien qui boit le thé, is a film that explores Beninese Voodoo as it is lived on a daily basis. It's a rare immersion in cults and ceremonies, in traditions shaped by men for men. Populated by magical and supernatural creatures, voodoo enchants photographer Jean-Claude Moschetti, who for over 20 years has been making visible to the uninitiated a parallel world that is superimposed on reality. The face of the Dog who drinks tea, he is the one who opens doors, knows secrets and codes. Neither an ethnologist nor a researcher, he is simply on a quest for magic. In his lens: mermaids smoking by the ocean, the dead dancing, a bird-woman spreading fear... His studio is in the modest ghost convent of Affinon, his friend and Egungun dignitary. It was Egungun who initiated him into the secrets and sacred cults of the ancestors. But this year, their destinies take opposite paths: one rises to the sacred, the other is struck by a curse. Fate or destiny? Voodoo offers those who dare to step forward the chance to negotiate their path. But beware of the unwary: a vengeful pig is on the prowl, stalking evil.