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Under my Mother's Roof
En İyi Uluslararası Deneysel Belgesel Film

Under my Mother's Roof

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01:13:00

Christian Abi Abboud

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İsveç

Kurgu ve gerçekliğin çarpıştığı bir film; Richard ve Kim, film yapımcısıyla birlikte gelecekteki hayatlarının parçalarını yazmaya karar verirler. "Annemin çatısı altında", en büyük korkusuyla yüzleşen bir adamın portresidir; sevgilisinin otizm teşhisi. Onu çocukluğunun en büyük travmasına, annesinin kaybına geri götürecek bir yolculuk.

24 Ocak 2026 Cumartesi

19:45

Fransız Kültür Merkezi

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Evara

Türkiye’den Öğrenci Belgeselleri

Evara

Cansu Carlak

Evara, which means gift of God, deals with the cycle journey of our character who finds herself in the middle of the climate change crisis in the conflict between city and nature. Based on the philosophy of second nature and social ecology, Evara is a critique consisting of questioning, resistance, observation and feelings and is reflected through performance art.
Muapbet

Türkiye’den Öğrenci Belgeselleri

Muapbet

Senad K. Sipahioğlu, Yiğit Şafak

Mother of Snow Cranes

En İyi Uluslararası Uzun Metraj Belgesel Film

Mother of Snow Cranes

Iiris Härmä

Over 90 years old, Ellen Vuosalo has lived many lives. First as a Finnish immigrant in Canada, then as an American citizen and student of zoology at UCLA and finally as a Mother of Cranes in Iran. Iiris Härmä's Mother of Snow Cranes tells the story of an incredible woman's extraordinary life, from love to tragedy to revolution. It is a story about nature, humanity, and the role of women in both the West and Iranian culture. Or as Ellen herself says " What a life! What a world!" Reference story: Unlike the world famous story of Betty Mahmoody (NOT WITHOUT MY DAUGHTER, 1991), MOTHER OF SNOW CRANES tells the story of the Western woman who had to stay in Iran and later who decided to stay. Our production company Guerilla Films has produced award-winning documentary films for international broadcasters (YLE, SVT, NHK, ARTE, NETFLIX etc.), cinemas and film festivals for more than 20 years. Mother of Snow Cranes (orig. Kurkien äiti) Duration: 78 mins Director: Iiris Härmä Producer: Visa Koiso-Kanttila/ Guerilla Films Production Country Finland Filming location Iran Release Date: Cinematic release in Finland September 2024.
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Uluslararası Kısa Film Yarışması

Yazbek: A Portrait

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Yazbek: A Portrait recounts a Sergio's life, leading up to the moment he uncovers a box of his late father’s lost negatives. As he develops the photographs, Sergio reconnects with his father in ways he never expected, discovering new facets about the man and his legacy. Sergio reflects on how his father taught him not only the secrets of photography but also of life itself, shaping his understanding of the world through the lens. This film explores themes of memory, family, and the profound connection between art and life. ... 'Yazbek: A Portrait' narra la vida de Sergio, hasta el momento en que descubre una caja con los negativos perdidos de su difunto padre. Mientras revela las fotografías, Sergio se reconecta con su padre de maneras que nunca imaginó, descubriendo nuevas facetas sobre el hombre y su legado. Sergio reflexiona sobre cómo su padre le enseñó no solo los secretos de la fotografía, sino también de la vida misma, moldeando su comprensión del mundo a través del lente. Esta película explora temas como la memoria, la familia y la profunda conexión entre el arte y la vida.
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Uluslararası Uzun Film Yarışması

I Just Keep Dancing

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Türkiye’den Belgeseller Seçkisi

Tanıştığıma Memnun Oldum

Jehan Barbur, Güneş Kazdal

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Mahalleme Dokunma (Yönetmenin Katılımıyla)

Belgesel Fotoğraf Gösterimleri

Mahalleme Dokunma (Yönetmenin Katılımıyla)

Emine Kart

Let me tell you a bit about the neighbourhood we didn't want to touch. 100th Year, Workers' Blocks Neighbourhood. Built for workers, squatters have been living there for years. Thousands of buildings have sprung up around it, glass towers, shopping centres, mosque projects offering donation opportunities on credit card instalments, demolitions, constructions, bars and barricades. We didn't want this; we deserved better. The year was 2013... The whole country was united around three or five trees. The wind from those trees enveloped a student and retired neighbourhood in Ankara. Do you know what we wanted? We didn't want them to build that road separating the school from the neighbourhood. We didn't want them to cut down the forest that was home to all kinds of trees and animals. We wanted to throw in your faces every day the image of the workers and women your system killed, and those you slaughtered in the name of labour, peace and democracy, erasing them the very next day. We wanted a tree planted, a field we cultivated together, a garden where we could come together and tend to the crops. We wanted a patch of land open to labour and sustenance, with no lock on its gate.
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Uluslararası Kısa Film Yarışması

Şeker Tadında (Yönetmenin Katılımıyla)

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Biz Radyoyu Çok Sevdik (Yönetmenin Katılımıyla)

Türkiye’den Belgeseller Seçkisi

Biz Radyoyu Çok Sevdik (Yönetmenin Katılımıyla)

Nazan Haydari, Özden Cankaya, Cem Hakverdi

Radio, My Love is an investigative documentary that frames radio broadcasting as an arena of struggle. The film revolves around the experiences of women who entered the profession in the 1970s by taking exams to join TRT, first established as an autonomous broadcasting institution. The documentary is based on the oral history project titled “Women Radio Broadcasters in the History of Turkey. It weaves together archival recordings with contemporary interviews, bringing voices from different eras together to reveal how these broadcasters shaped both the sound of radio and the cultural landscape of Turkey during a pivotal period.
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Uluslararası Kısa Film Yarışması

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Türkiye’den Belgeseller Seçkisi, Filistin Seçkisi

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Özel Film Gösterimleri

Bir Ömür Deniz

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This film views the sea not as a landscape, but as a living space. Here, the sea is not a romantic backdrop; it is a life woven with sweat, patience and repetition. We approach Mavişehir Fishermen's Shelter not as a place, but as a memory. This harbour, whose location has changed with the filling of the shores, bears the traces of over a century of labour. Against concrete, time and transformation, we defend the continuity of the relationship established with the sea. This manifesto aims to make the great stories of small boats visible. The labour of fishermen who set sail in boats less than seven metres long is a form of living knowledge that is in danger of being forgotten in the shadow of industrial production. We stand against the loss of this knowledge. Repeating the mending of nets, the threading of needles, the setting out to sea before dawn... Because repetition here is not ordinary; it is resistance. This order, re-established every day, is an expression of the ancient covenant between man and the sea. While telling the story of the fishermen, this film focuses on silence, modesty, and the power of collective production. It sees accepting what the sea provides as a virtue. We take on the responsibility of photography, the camera, and witnessing. We advocate not just looking, but seeing; not just recording, but understanding. A Lifetime at Sea is not an elegy for the past; it is a mark left for the future. As long as this way of life built with the sea continues, cultural memory will also continue to live on. Some lives are not written on land, but in the wake of the waves.
The Land In Between

Uluslararası Deneysel Film Yarışması

The Land In Between

Yilu Zhou

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Kuşgözü Grubu Gösterimleri

Belgesel Fotoğraf Gösterimleri

Kuşgözü Grubu Gösterimleri

Kuşgözü

Foto Akgün

Türkiye’den Öğrenci Belgeselleri

Foto Akgün

Fidan Çaça

A tribute to Mehmet Akgün, a camera repairman in Konya who has been restoring memories for nearly 50 years. Foto Akgün tells the inspiring story of resilience, craftsmanship, and passion—despite physical limitations.
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