This film views the sea not as a landscape, but as a living space. Here, the sea is not a romantic backdrop; it is a life woven with sweat, patience and repetition. We approach Mavişehir Fishermen's Shelter not as a place, but as a memory. This harbour, whose location has changed with the filling of the shores, bears the traces of over a century of labour. Against concrete, time and transformation, we defend the continuity of the relationship established with the sea. This manifesto aims to make the great stories of small boats visible. The labour of fishermen who set sail in boats less than seven metres long is a form of living knowledge that is in danger of being forgotten in the shadow of industrial production. We stand against the loss of this knowledge. Repeating the mending of nets, the threading of needles, the setting out to sea before dawn... Because repetition here is not ordinary; it is resistance. This order, re-established every day, is an expression of the ancient covenant between man and the sea. While telling the story of the fishermen, this film focuses on silence, modesty, and the power of collective production. It sees accepting what the sea provides as a virtue. We take on the responsibility of photography, the camera, and witnessing. We advocate not just looking, but seeing; not just recording, but understanding. A Lifetime at Sea is not an elegy for the past; it is a mark left for the future. As long as this way of life built with the sea continues, cultural memory will also continue to live on. Some lives are not written on land, but in the wake of the waves.

World Premiere: Antalya Film Festival Documentary Competition This mid-length documentary follows Deniz (28) and Can (30), two siblings with SMA who are bedridden and live with the support of their mother, Aysel. Highlighting issues such as societal neglect, restricted rights, and equality, the film aims to raise awareness. After losing their home in the Maraş earthquake, the family now resides in a relative’s house in Alaçatı. Through five days of interviews and observations, the documentary sheds light on their lives and perspectives.

Kamikia and Lewaiki, from the Khĩsêdjê people, are forced to abandon their largest village after detecting pesticide contamination that poisons their land, rivers, and food. Surrounded by monocultures of soy, they fight to protect their culture, their families, and their territory, facing an invisible enemy that threatens their very existence.

Le chien qui boit le thé, is a film that explores Beninese Voodoo as it is lived on a daily basis. It's a rare immersion in cults and ceremonies, in traditions shaped by men for men. Populated by magical and supernatural creatures, voodoo enchants photographer Jean-Claude Moschetti, who for over 20 years has been making visible to the uninitiated a parallel world that is superimposed on reality. The face of the Dog who drinks tea, he is the one who opens doors, knows secrets and codes. Neither an ethnologist nor a researcher, he is simply on a quest for magic. In his lens: mermaids smoking by the ocean, the dead dancing, a bird-woman spreading fear... His studio is in the modest ghost convent of Affinon, his friend and Egungun dignitary. It was Egungun who initiated him into the secrets and sacred cults of the ancestors. But this year, their destinies take opposite paths: one rises to the sacred, the other is struck by a curse. Fate or destiny? Voodoo offers those who dare to step forward the chance to negotiate their path. But beware of the unwary: a vengeful pig is on the prowl, stalking evil.

An American, a Japanese, a Canadian, a Frenchman and a Brazilian work as ballet dancers in very different Russian cities. The world around them collapses for reasons beyond their control, and the characters have to make the most difficult choice in their lives. A choice on which not only their career, but also their destiny depends.

The film was shot around the place of O Fieiro, a small village of no more than twelve houses and nine inhabitants, among them Rosa. A ninety-year-old woman who dedicates her last years to watching the rain through the window. Her father was a canteiro, a house builder, before the reservoir changed everything. Rosa remembers how her father lifted the stones and the people transported them from one place to another. It is shown as an abstract visual poem where the rain and the stones are the protagonists of the story Rosa tells us.

In Forty Days Road, two colleagues (Ali and Ian) set out on a captivating journey across Egypt to trace the long route of camels traveling from Sudan to a market near Cairo. Along the way, they uncover the tough conditions of transport and join the camels on a 24-hour journey from the Sudanese border to one of the biggest Egyptian camel market near Cairo.

Based on fragments from a never finished graphic novel, Baghdad Graphic presents an unflinching account of an Iraqi journalist and his desperate effort to survive the invasion of his country. An intensely personal portrait of the costs of war.

"NONE" is a black-and-white documentary that explores an inner journey during the Şebi Aruz night. The film captures moments in the backstreets of Konya, where divine love and music intertwine. Focusing on this special night, it highlights how people from diverse cultures express their emotions through music. What seems like a celebration from the outside transforms into a profound spiritual quest and an exploration of the universal language of love. The film reveals the power of music to unite souls, emphasizing the common thread found in each culture's unique sound. "Hiç" offers an emotional experience that invites viewers on a journey not only through visuals but also through deep emotional discovery.

In the sleepless lights of New York, a father's longing becomes the city's quiet heartbeat.

''Toprağın Hatırası”, İzmir’in kadim geçmişinden günümüze uzanan bir yolculukta, üzüm bağlarının ve Buca’nın kültürel mirasını keşfe çıkıyor.Levanten konaklarından günümüz üreticilerine kadar uzanan bu hikâye, üzümün yalnızca bir meyve değil; zaman, hafıza ve toplumsal belleğin simgesi olduğunu gösteriyor. Belgesel, bağ bozumu ritüellerinden şarap üretim geleneğine, halkın belleğinde saklı kalan anılardan bugünün umutlarına kadar, İzmir’in toprağında kök salmış bir kültürü görünür kılıyor.

The documentary focuses on the daily lives of young artists performing in the streets and venues of İzmir. Each artist, with their own unique style and story, meets audiences in public spaces, highlighting the importance of music in their lives. Despite bans, pressures, and hardships, these young musicians strive to sustain their art and lives, seeking support and solidarity. Their stories of resilience and creativity, intertwined with the power of music, not only inspire but also reveal the ways in which they hold on to life and nurture hope.

What happens if older people challenge stereotypes in films about aging? Six seniors re-perform scenes of poor health, sexual invisibility, and gendered stereotypes of the wise old man and the bad witch. Toward the end of the film, the participants rebel against these cinematic images, proving that older age can be associated with love, sexuality, and self-revelation.

Dilara is an art student striving to become a successful painter despite the challenges in her life and dreams of studying abroad. Cemal, a film student, wants to document her journey, knowing that their last days together could come at any moment. However, things do not go as planned. They try to overcome the difficulties of pursuing art and creating something meaningful in a small town with the support of their friends. Dilara, hayatındaki zorluklara rağmen başarılı bir ressam olmaya çalışan ve yurt dışında eğitim almak isteyen bir resim öğrencisidir. Sinema öğrencisi Cemal, arkadaşı Dilara'yla geçireceği son günlerin her an gelebileceğini düşünerek onun belgeselini çekmek ister fakat işler planladıkları gibi gitmez. Küçük bir şehirde sanatla uğraşmanın ve bir şeyler üretmenin güçlüğünü arkadaşlarının desteği ile aşmaya çalışırlar.

This documentary takes a closer look at the passionate fans of the Turkish TV series industry. It explores how fans feel so connected to the stories that they even influence actors’ lives or the script’s flow. Their passion leads to social media campaigns targeting writers and efforts to "save" favorite characters, reflecting their strong sense of belonging. Meanwhile, industry representatives’ comments on fans and the cold realities of their professional world add another striking layer. This contrast of admiration and distance paints a portrait of the series world and its fans.

TRAINS is a found-footage documentary composed entirely of archive footage and sound design that creates a collective portrait of people in 20th century Europe, capturing their hopes, desires, dramas and tragedies. A train compartment is a place where people are taken out of their everyday context for a while. Sometimes the journey is accompanied by the hope that something will change in our lives upon reaching the destination, or conversely, by a stark absence of hope. And yet the history of the 20th century unfolds in railway carriages in a repetitive refrain. Every few years, hauntingly similar scenes play out in railway stations around the world: carriages full of men leaving for war, only to return wounded or as casualties. This cycle is followed by an exodus of civilians, evacuees mingling with prisoners of war returning from camps, and soldiers of victorious armies leading the defeated, until ordinary passengers reappear at stations.

I am a documentary filmmaker living with bipolar disorder. I have turned the camera toward myself and begun documenting the process of making my first feature film. Throughout this journey, bipolar disorder and the shifting conditions of my country have been my greatest challenges, while inner reflection and artistic creation have been my strongest sources of support. In this sense, the documentary offers a sincere companionship both to those on the path of self-discovery and to individuals going through similar experiences.

"Songs of Fraternity” is a feature-length project that tells the musical and political journey of the ‘Kardeş Türküler Project, which started within the Boğaziçi University Folklore Club in 1993… in a way a chronicle of“togetherness”, children, women, trees, rivers, a fraternity of cultures and languages that cannot be divided by borders. Not only languages, but history, culture, poetry, writers and artists meet on the stage: Hrant Dink, Neşet Ertaş, Reem Kelani, Sezen Aksu, Arto Tunçboyacıyan, Sayat Nova choir, the list goes on… So this movie brings forward for the first time the 30-year old story of Kardeş Türküler as they navigate and reflect with their music the political and social realities of the recent history of Turkey.

Tevfik, who moved to New York with his family at the age of 2, relocated to his grandfather's home in Rize, where his father was born, at the age of 35 and started a new life there. Tevfik has been living in Rize for 19 years and is now the father of two children, working in agriculture. He sustains his life by producing tea and kiwi.

Our film aims to introduce the life of Cahide Sonku to students of the Radio, Television, and Cinema department. In this context, it focuses on examining the historical development of Turkish cinema to better understand Cahide Sonku and to inspire future generations through her story. Cahide Sonku’s cinema career is important not only because of her success in the arts but also because it reveals the role of women and gender dynamics in Turkish cinema and the art world in general. Her life and contributions help us develop a deeper understanding of women’s presence in the film industry. As a result, this documentary will add meaningful value to the literature by focusing on Cahide Sonku’s unique contributions to cinema.